FINE 471Senior Seminar In Film Concepts 2

1990–91 to 1994–95 5 calendars

* screenings. Admission by consent of instructor.

PVE 490 F Sstd.R 0.5

! ‘ior Honours Presentation 1 (__ arse description on last page of Studio Offerings.

IE 490A F Sstd.R 0.5 {vor General Seminar Course description in Art History offer-

ings.

i 16491 W Sstd,R 05

' lor Honours Presentation 2 Course description on last page of Studio Offerings.

Course Descriptions Fine Arts

STUDIO OFFERINGS

Offered Winter · 0.5 credit

• 1990–91 PDF p. 378
• 1991–92 PDF p. 388
• 1992–93 PDF p. 381
• 1993–94 PDF p. 384
• 1994–95 PDF p. 385

1974–75 to 1989–90 15 calendars

Titled Senior Seminar in Film Concepts 2.

Admission by consent of instructor

Course Descriptions Fine Arts

Fine 472 std 5 Senior Seminar in Graphics Concepts 1 Admission by consent of instructor

Fine 473 std 5 Senior Seminar in Graphics Concepts 2 Admission by consent of instructor

Fine 490 S,std,R 5

Senior Honours Presentation 1

Each student will work under the direction of a Fine Arts faculty member on an advanced creative project; the result of this endeavour will be presented in the form ofan exhibition or its equivalent (i.e.: film, illustrated book, portfolio, or essay), which will be examined by faculty members of Fine Arts and also where pertinent, by members of other departments.

Required of all students in Honours Fine Arts Admission by permission only

Fine 491 S,std,R 5 Senior Honours Presentation 2 A continuation of Fine 490 Admission by permission only

Offered Winter · 0.5 credit

• 1974–75 PDF p. 454
• 1975–76 PDF p. 306
• 1976–77 PDF p. 268
• 1977–78 PDF p. 302
• 1978–79 PDF p. 297
• 1979–80 PDF p. 308
• 1980–81 PDF p. 317
• 1981–82 PDF p. 330
• 1982–83 PDF p. 313
• 1983–84 PDF p. 327
• 1984–85 PDF p. 327
• 1986–87 PDF p. 342
• 1987–88 PDF p. 356
• 1988–89 PDF p. 354
• 1989–90 PDF p. 372

1973–74 1 calendar

Another title: Senior Seminar in Film Admission by consent of Instructor., probably a different course under the same number (or a misread scan).

Concepts 2.

• 1973–74 PDF p. 384

1972–73 1 calendar

Titled Senior Seminar in Film Concepts 2 72* Senior Seminar in Graphics Concepts 1 73* Senior Seminar in Graphics Concepts 2.

Admission by consent of Instructor. Winter term.

Admission by consent of Instructor. Fall term.

Admission by consent of Instructor. Winter term.

102*G/104*G Introduction to the Fine Arts

150*G Introduction to Music 1

151*G Introduction to Music 2

250*G The History of Music 1

251*G The History of Music 2

252*G Music and Literature 1

253*G Music and Literature 2

260*G Choral Literature

261*G Choral Literature

272*G The Folk Music of Europe and North America

Fine Arts

The following courses are administered by Conrad Grebel College

An integrated study of works of art and musical compositions, and their relationship to the time period in which they were created. The emphasis is on actual experiences of the arts.

No prerequisites.

Examination by means of listening and analysis, of styles of music ranging from early Christian Chant to electronic and computer music. Composition to be studied included major forms such as sonata, symphony, opera, mass, etc., as well as smaller forms.

3 lectures. Fall term.

Continuation of 150*G. 3 lectures. Winter term. Prerequisite: 150*G or consent of Instructor.

From its earliest beginnings to 1750. From 1750 to the present.

A study of music which is related to literary works from the various periods and genres, including Greek drama and mythology, the Bible, Goethe, Heine, Shakespeare, etc., and which have taken form in a variety of musical genres, such as lied, opera, oratorio and symphonic music.

Not offered in 1972-73.

A study of music which is related to literature concentrating on one or several writers, and which has taken form in one or several of the musical genres, such as lied, opera, oratorio and symphonic music. Not offered in 1972-73.

Study of choral and ensemble music of all styles, sacred and secular, from the middle ages to the present. Laboratory sessions will consist of actual singing of choral works, leading to public performance. Prerequisite 150/151 G or consent of Instructor.

Continuation of 260*G. 3 Lectures. Winter term.

Countries to be discussed: British Isles, France, Germany, the Balkans and Eastern Europe, including the Ukraine and Russia; Canada and the USA through Library of Congress record albums, Folkways and other records, field recordings from Bulgaria, Yugoslavia, Czechoslovakia, Greece, Hungary, Rumania.

3 lectures.

0*G Stratford Festival Seminar

1*G Stratford Festival Seminar

350*G Bach to Beethoven

351*G Music of the Romantic Period (19th Century)

352*G Music of the Twentieth Century

Fine Arts 365

An interdisciplinary course intended for students interested in English, Music, Drama, and Speech. The focus of the seminar is centered in the dramatic and musical productions at Stratford Festival theatres plus performances at the Shaw Festival Theatre at Niagara-on-the-Lake and selected productions at Toronto and London, Ontario.

Offered summer only.

Continuation of Fine Arts 300*G.

Music from around 1700 to 1827, the Baroque and Classical periods of Music. Major composers studied Bach, Haydn, Mozart and Beethoven. Listening to music is an integral part of the course.

3 lectures.

Included among the many musical compositions studied are operas Wagner, Verdi and Mussorgsky, the Lieder of Schubert, Schumann and Wolf, symphonic music of Brahms, Mendelssohn, Tchaikowsky, and piano music of Chopin.

3 lectures.

A study of representative musical compositions of the twentieth century and their relationship to social, literary and political movements. Prerequisites: Fine 150*G and 151*G, or consent of instructor.

Prerequisite: An introductory course in Music, Drama, or Speech, or consent of instructor.

• 1972–73 PDF p. 363