FINE 110 Introduction to World Art ‘1F 3C 0.5
A comparative survey of-Prehistoric and Ancient Art, and of Oriental, African, New World and Oceanian Art, emphasizing visual form as an expression of its historical and cultural context.
89 courses in the 1986–87 Undergraduate Calendar, read from the scanned original. The text comes from OCR, so check the scanned page before relying on a detail.
A comparative survey of-Prehistoric and Ancient Art, and of Oriental, African, New World and Oceanian Art, emphasizing visual form as an expression of its historical and cultural context.
A comparative survey of Western Art from the Classical to the Modern Period, emphasizing visual form as an expression of its historical and cultura! context.
An examination of the history of Modern Art from the late 18th century up to the time of impressionism.
A continuation of FINE 210, commencing with impressionism and proceeding through the major trends of. the early 20th century yp to the © contemporary period.
Art 1 A survey of the innovations in European painting, sculpture, and architecture between 1260 and 1500.
Prereq: FINE 111 or consent of instructor
A study of Early Christian Romanesque and Gothic Art.
Prereq: FINE 111 or consent of instructor
Art of the 18th-Century in Europe
A study of painting, sculpture, graphic arts and architecture in 18th- reentury Europe.
A survey of the art and architecture of the ancient Greek world from the
Minoan to the Hellenistic periods.
Consult Classical Studies Cross-listed as C CIV 351.
A survey of the art and architecture of the Roman world from Etruscan {o Imperial times.
Consult Classical Studies
Cross-listed as C CIV 352.
The arts and crafts of Canadian Indian and Inuit (Eskimo) peoples are examined with slide lectures, films, and student presentations.
An historical survey of Canadian ethnic, ° Folk and traditional arts and crafts with particular focus on the ethnic and traditional! arts of the Waterloo Region. Admission by consent of instructor
1900-1940 : ; : A study of the major innovations in early 20th century painting, scutpture and architecture. Honours Art History majors interested in the modern period are encouraged to use-this course as preparation for the 4th-year honours presentation..
Prereq: FINE 211 or consent of instructor ‘
The development, design, documentation, security, conservation, installation, and interpretation of arts and craft exhibitions will be explored through lectures on the history, purpose and function of fine arts exhibitions: gallery visits: student projects; and the creation and presentation of an actual exhibition.
Research and reading courses under
the direction of individual instructors. Admission by consent of instructor.
For students planning a Senior Honours Presentation in Art History. Students wi examine methods of formal and stylistic analysis, iconographical interpretation and the application of social and poiitical history to the understanding of works of art. Required of all art history majors who take FINE 490/491 and 490A.
Admission by consent of instructor.
FANE 391 WR OS.
Selected Subjects in Fine Arte
Research and redding courses under
the direction of individual instructors. Admission by consent of instructor.
Admission by consent of instructor.
Admission by consent of instructor.
Course description on last page of Studio Offerings -
Course description on last page of Studio Offerings.
Course description on last page of Studio Offerings.
Course description on last page of Studio Offerings
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
General history of world cinema in its silent and early sound era, covering the work of outstanding directors, national productions and movements, aind their contribution to the film medium’s development into a prominent art form of the 20th century. Regular film screenings. Film fee.
An exploration of spiritual themes and issues in the cinema. An assessment of film’s special characteristics as an art form capable’ of addressing the human quest for a significant existence. Emphasis upon the films of Ingmar Bergman..
Cross-listed as R § 266.
Film fee: $5.00.
A Tansideration of selected themesdeath, evil, guilt, fate, alienation, courage, love, redemption-in the films of several of today’s leading directors. Emphasis upon. a variety of directors from divergent cultural backgrounds. Crosslisted as A S 267. Film fee: $5.00
Cinema as “prophetic voice”, exploring the films of various directors as they pertain to selected themes which include technology and dehumanization, individual and collective goals, social realities and dreams, and the quest for individual and cultural identity.
Film fee: $5.00
A study of Canadian film, from 1895 to the present, based on the screening and analysis of selected films.
This is a WLU course for Film Studies’ Majors/Minors only.
A chronologicai survey of one of the richest and most intriguing of film
“ genres. Discussion of its aésthetic, phil-
osaphical and cinematic aspects. Film screenings will present major international works in this genre (Godard, Kubrick, Lang, Lucas, Marker, Siegel, Tarkovsky, Truffaut and other directors). Regular film screenings.
Prereq: FINE 250/251 or consent of instructor
Film fee.
Special topics will be announced from yearto year.
Course Descriptions 16.57 Fine Arts
This course introduces students to significant aspects of modern German culture through film, and links this study with that of literature. It involves viewing
"and analyzing films and establishing a
connection to related literary and cultural traditions.
Prereq: Open to all students above first year
Cross-listed as GEA 300.
Taught in English
Research and reading courses under the direction of individual instructors. Admission by consent of instructor.
Research and reading courses under
-the direction of individual instructors.
Admission by consent of instructor.
Film screenings. Admission by consent of instructor.
Film screenings.
Admission by consent of instructor.
Course description on last page of Studio Offerings.
Course description on last page of Studio Offerings.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
An introduction to the fundamental principles and concepts, of visual art through a series of experimenta! studio problems in 2 and 3 dimensional materials and media.
Lab fee.
ANE 121 W SL 05
Fundementais of Vieual Art 2
A continuation of FINE 120 with
emphasis on colour. J Prareq: FINE 120
An exploration of the problems and possibilities of painting as a vehicle for
serious Creative expression. The funda-
mentals of composition and painting techniques will be presented through a series of studio projects.
Prereq: FINE 120/121 or consent of instructor
Lab fee.
A continuation of the studio projects begun in FINE 220 with a greater emphasis on the development of individual expression. Prereq: FINE 220 of consent of instructor ~ Lab fee.
An introduction to sculpture. Threedimensional form will be explored with the emphasis on the handling of clay and wood as an expressive medium enhanced by surface treatment. Prereq: FINE 120/121 Lab fee.
An introduction to multi-media sculpture.
Additive and subtractive use of wood, metal and plaster casting togather with @ mastery of three-cimensional forms in 8 variety of media.
Prereq: FINE 222
Lab fee.
Students will make analytical and expressive drawings in a variety of media, in order to develop accurate observation. and understanding of form. Prereq: FINE 120/121 Lab fee.
Analytical figure drawing from the model will be combined with a study of human anatomy for artists.
Prereq: FINE. 120/121 - Lab fee.
a Introduction. to materials and methods of printmaking. Current offerings are given below.
Printmaking (intagito) An introduction to basic ‘intaglio techniques including etching and engraving through workshops and class demonstrations.
Prereq: FINE 120/121 or consent of instructor
Lab fee
An introduction to relief painting including collograph, wood block, lino cut and type using press and non-press materials to make print images in a series of workshops and demonstrations.
Prereq: FINE 226A or permission of instructor
Lab fee
ANE 226C F 12b 05 Printmaking (Screen) An introduction to screen printing, with emphasis on. exploration of ink proper: ties and stencil techniques.
Prereq: FINE 120/121 or consent of instructor
Lab Fee.
Through studio experiences, students will learn techniques for making accu: rate scale drawings of biological subjects in line and vaiue, using various media. Methods of preparing drawings for reproduction will be included.
The history, design and practice of various applied arts will be explored in slide lectures and studio projects. Specific arts will vary from year to year: current offerings are given below.
The history of textile arts and problems of design for textile media will be explored combining lectures and studio projects in both 2 and 3 dimensional expressive forms. Traditional textile materials and methods will be applied to the creation of contemporary expressive and autonomous forms. Students will supply their own materials.
Introduction to photographic techniques for use as a tool for artists. Basic techniques will be taught through a series of exercises, with emphasis on applications for creative artistic expression and docu-
mentation. Intended for Fine Arts majors.
Supplies at student’s expense. Prereq: FINE 120/121
A study of the art of written forms, combining studio projects with slide lectures on the history of writing, Huminating and lettering. Students will strive
“for mastery in various calligraphic forms
selected from among historic styles such as Roman, Uncial, Bookhand, Gotnic, Rtalic and Fraktur.
A continuation of FINE 228D, exploring commercial illustration, type and symbol of design, multi colour print reproduction
_ and various other advanced graphics
techniques. Prereq: FINE 228D
FINE 228H JW BL O05 Electronic Imaging |! An introduction to the use of the computer for monochrome and colour two dimensional image generation and manipulation. Students will produce 35mm colour transparencies and colour photographic prints to document their work. Intended for Fine Arts majors. Prereq: FINE 120 and 228 or consent of instructor ; ° Lab fee
’.
An intensive course, stressing the devel-
opment of individual forms of creative expression, open to advanced students working in the areas of printmaking, sculpture or painting. Each student will work independently in consultation with the instructor. Discussion, presentations and critiques will be held during regular class. This course will culminate in an exhibition. ‘
Prereq: FINE 320, 322 or 324
Lab fee
Drawing upon the experience gained in’ FINE 220/221 this course will emphasize the student's individual development as a beginning painter, through independent problems, along with class discussions and individual critiques.
Prereq: FINE 220/221 or consent of instructor
Lab fee.
A continuation of Fine arts 320 with a further emphasis on independent, problems. : , Prereq: FINE 320 or consent of instructor.
Lab fee..
An exploration of sculpture problems in a variety of media as vehicles for serious creative expression.
Prereq: FINE 222/223
Lab fee.
Organization and integration of sculptural concepts in clay to develop a series of representational or abstract | sculptures. Clay and glaze technology for oxidation stoneware firing will be stressed.
Prereq: FINE 322
A course in which drawing is investigated as a means of expression and communication. The human figure, objects, and the landscape will be studied as sources of artistic imagery. The student will be encouraged to experiment with imagery, to develop personal vision, and to devise individual formal means of expression. Prereq: FINE 224 or consent of instructor vs Lab fee.
Continuation of FINE 324.
A continuation of printmaking concepts nr independent study. Admission by permission of instructor. Lab fee..
Electronic imaging I | A continuation of FINE 228H and an introduction to three dimensional image generation and manipulation. Students will produce 35mm transparencies and colour photographs to document their work. intended for Fine Arts majors. Supplies at student's expense. Prereq: FINE 22B8H or consent Lab fee: intended to be taken with FINE 228H in the July term.
Studio and practice courses under the
direction of individual instructors. Admission by consent of instructor.
Studio and practice courses under the
direction of individual instructors. Admission by consent of instructor.
Admission by consent of instructor.
Admission by consent of instructor.
Admission by consent of instructor
Each student will work under the direction of a Fine Arts faculty member on an advanced creative or research project. The result of this endeavour will be presented in the form of an exhibition or its equivalent (i.e, film, illustrated book, portfolio, or essay), which willbe examined by faculty members of Fine Arts fd also, where pertinent, by members ef other departments. Required of ail students in Honours Fine Arts.
Admission by permission only.
Course Descriptions 16.59 Fine Arts
As in FINE 490, each student will work
under the direction of a Fine Arts faculty
member on an advanced creative or
research project, and will participate in
group critiques and discussions. Required of ail 4 year General Fine
Arts studenis.
Admission by permission only.
A continuation of FINE 490. Admission by permission only.
A continuation of FINE 490A
An optional course for 4 year General Fine Arts students..
Admission by permission only.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.
Not offered in 1986–87.