FINE 110 Introduction to World Arti
A comparative survey of Western art, from prehistoric times times to the Renaissance, emphasizing visual form as an expression of its historical and cultural context. No prerequisites, Fall term
Fine Arts (FINE)
84 courses in the 1974–75 Undergraduate Calendar, read from the scanned original. The text comes from OCR, so check the scanned page before relying on a detail.
Notes
Fine Arts
N.L. Patterson, B.A.(Washington)
V. Burnett, B.S.(Columbia), M.A (California) A.M. Urquhart, B.F.A.(Buffalo)
Faculty listed in 1974–75
H. Martens, B.A., M.A (Minnesota), Ph.D.(Columbia) DL. MacKay, B.F.A.(Mt. Allison), M.F.A.(Cornell)
J. Uhde, M.A. (Purkyne’s University, Bro, Czechoslovakia) W. Janzen Jr., B.Mus.(Manitoba), M.M (Wisconsin), A.M.M.
C. Crockford, B.E,( Alberta), M.A.,(British Columbia) H. MacKenzie, ARCA, B.F.A(Mt. Allison) V. Taborsky, Dipl.(Prague, Czechoslovakia)
Requirements for Fine Arts General B.A. in Art
To fulfill the requirements for a general degree in Fine Arts students must take 12 half courses in Fine Arts, including 110*, 111*, 120*, 121*. Of the eight remaining half courses at least four must be on the third year level. Courses in music will be considered as. electives and not as part of the regular Art programme in Fine Arts. Students from any faculty may take courses in Fine Arts on an elective basis with the consent of their departments, or as part of their regular programme where their departments so direct.
Undergraduate Courses
FINE 111 Introduction to World Art 2
A comparative study of non-Western art, including the Orient, and the development of modern art from the Baroque to the Twentieth Century, emphasizing visual form as an expression of its historical and cultural context. Prerequisite: Fine Arts 110*, Winter term
FINE 120 Fundamentals of Visual Art 1 '121* Fundamentals of Visual Art 2
An introduction to the fundamental principles and concepts of visual art; through a series of experimental studio problems in two and three dimensional materials and media. Lab fee. Fall term.
A series of studio projects designed to develop basic skills and apply principles of visual dynamics in the various media of visual art. Lab fee. Prerequisite: Fine Arts 120* Winter term
FINE 454 Fine Arts
FINE 210 Modern Art 1
A survey of the history of modern art, examining its origins in the eighteenth century and the romantic and realistic art of the nineteenth century, showing how the late nineteenth century developed the basic characteristics of the twentieth century art. Prerequisite: Fine Arts 110*-111*
FINE 211 Modern Art 2
A survey of modern art examining the development of 20th century art from the Post-Impressionists through the multiple trends of the present decade. Both movements and individual artists will be studied. Prerequisite: Fine Arts 210*
FINE 212 Italian Reneissance Art1
A survey of painting, sculpture, and architecture, especially in Florence and Siena, starting with Giotto and his contemporaries and covering innovations in perspective, anatomy, and iconography through the end of the 15th century. Prerequisite: Fine Arts 110*|111*, or consent of Instructor Not offered 1974-75
FINE 213 Italian Renaissance Art 2
A continuation of Fine 212* starting with the masters of the High Renaissance, Leonardi, Raphael, and Michelangelo, and proceeding through Mannerism, Baroque, and Rococo in Florence, Venice;and Rome. Prerequisite: Fine Arts 212* or consent of Instructor. Not offered 1974-75
FINE 216 (Anthro. 230*) Primitive Art
A study of prehistoric world art (Paleolithic, Mesolithic, and Neolithic), the art of Africa, the Americas, and Oceania, and European folk art (both continental and colonial). Not offered 1974-75
FINE 218 Western Religious Art
An introductory survey of the visual art and architecture of Judaism and Christianity in the Common era. The development and subsequent changes of style in places of worship and ceremonial objects and ornaments, and the changing forms of religious expression through visual art, will be studied. Not offered 1974-75.
FINE 220 Fundamentals of Painting 1
Exploration of painting problems in various media as vehicles for serious creative expression: the fundamentals of composition and painting techniques (paint, materials, and preparation of painting surfaces) will be presented through studio projects. Lab fee. Prerequisite: Fine Arts 120*-121*
FINE 221 Fundamentals of Painting 2
The creation of both non-objective and representational forms ‘on a two-dimensional surface using oil as a painting medium. Lab Fee Prerequisite: Consent of Instructor Fall term
FINE 222 Fundamentals of Sculpture 1
Exploration of sculpture problems in various media as vehicles for serious creative expression: emphasis will be given to developing understanding and mastery of three dimensional forms and the preparation and handling of sculptural materials and tools. Lab. fee. Prerequisite: Fine Arts 120*-121*
Fine Arts
FINE 223 Fundamentals of Sculpture 2
A continuation of Fine Arts 222* with an emphasis on independent problems. Lab fee. Prerequisite: Fine Arts 222* Winter term
FINE 224 Introductory Graphics . 1(General Drawing)
Students will make analytical and expressive drawings in a variety of media, in order to develop accurate observation and understanding of form. Lab fee. Prerequisite: Fine Arts 120*-121*
FINE 226 Introductory Graphics 2 (General Printmaking)
An introductory course in materials and methods of printmaking with emphasis on silk screen techniques. Lab fee Prerequisite: consent of. Instructor. Fall and Winter terms
FINE 227 Scientific Drawing
Through studio experiences, students will learn techniques for making accurate scale drawings of biological subjects in line and — value, using various media. Methods of preparing drawings for reproduction will be included. No prerequisite Fall term
FINE 228 Applied Arts
The history, design and practice of various applied arts will be explored in slide lectures and.studio projects. Specific arts will vary from year to year: current offerings are given below.
FINE 228A Expressive Textile Forms
The history of textile arts and the problems of design for textile media will be explored, combining lectures and studio projects in both two and three dimensional expressive forms. Traditional textile materials and methods will be applied to the creation of contemporary expressive and autonomous forms. Students will supply their own materials. Not offered 1974-75
FINE 234 Introduction to Film Making 1
Basic introduction to the field of audio visual media: principle techniques and methods; scripting, production and directing; camera, sound and editing techniques; film forms. Photo supplies, film stock and processing at student expense. (Super 8mm). Lab Fee Prerequisite: Fine Arts 120*-121* or consent of instructor Fall term
FINE 235 Introduction to Film Making 2
Practical introduction to film techniques. Theory, experiments and assignments in script writing, production planning, directing, editing and camera work. Further differentiation in film forms. Lab fees. Prerequisite: Fine Arts 234* Winter term
FINE 456 Fine Arts
FINE 244 History of Film 1 - Silent Film
The historic development of world cinematography in its silent era (1895-1929), including a short mention of the prehistory of film (before 1895), covering the most important artistic movements, works by outstanding directors and their contribution to the film as an independent form of art. Regular screenings will accompany discussion of historic and aesthetic aspects of film. Film fee Fall term
FINE 245 History of Film 2 Sound Film
A continuation of Fine 244*: the expression of film history into the sound era (since 1929) including the most recent period. Film fee Winter term
FINE 246 Religion and Film 1 (Religious Studies 266R*)
A theological approach to the study of film as a world-transforming phenomenon for man. An assessment of film’s special characteristics as an art form capable of addressing man’s quest for a significant existence. Consideration of a wide range of films and directors, with particular emphasis on Ingmar Bergman. Film fee $5.00
FINE 247 Religion in Film 2 (Religious Studies 267R*)
An exploration of selected themes — death, evil, guilt, fate, alienation, love, redemption — in the films of several of today’s leading directors: Bunuel, Pasolini, Kurosawa, Fellini, Antonioni, Polanski..
Film fee $5.00
FINE 310 (C. Civ. 351*) Greek Art and Architecture
A survey of the art and architecture of the ancient Greek world from the Minoan to the Hellenistic periods. 3 lectures. Consult Classics listing.
FINE 311 (C. Civ. 352*) Roman Art and Architecture
A survey of the art and architecture of the Roman world from Etruscan to Imperial times. 3 lectures. Consult Classics listing.
FINE 312 Renaissance Art Outside Italy 1
A survey of painting, and related developments in sculpture and architecture, from the late Gothic period through the High Renaissance. Emphasis will be on the Flemish and German schools. 110*-111* or consent of instructor. Prerequisite: Fine Not offered 1974-75
FINE 313 Renaissance Art Outside Italy 2
Mannerism ,Baroque, and Rococo in Northern Europe and Spain. The contributions of such masters as Brueghel, Rembrandt, Rubens and Velasquez will be studied as well as the emergence of genre and landscape painting and the development of national schools. Prerequisite: Fine Arts 312* or consent of instructor. Not offered 1974-75
FINE 314 Medieval Art 1
A survey of painting, sculpture, architecture, and related arts from the time of early Christian art to the emergence of the Romanesque style, and including the Byzantine art of this period. Prerequisite: Fine Arts 110*/111* or consent of instructor.
Fine Arts
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FINE 315 Medieval Art 2
A survey of painting, sculpture, archecture, and related arts commencing with the Romanesque period, continuing through to the beginning of the late Gothic period, and including Byzantine art to the capture of Constantinople. Prerequisite: Fine Arts 314* or consent of the instructor.
FINE 316 Canadian Art 1
An examination of Canadian art beginning with the aboriginal arts of Indians and Eskimos, extending through the imported styles of settlers, especially from Britain and France, in the seventeenth, eighteenth and nineteenth centuries, to the development of the nationalist styles of the early twentieth century, culminating in contemporary Canadian art. No prerequisites.
FINE 317 Canadian Art 2
A continuation of Fine Arts 316*. Prerequisite: Fine Arts 316.
FINE 320 Advanced Painting 1
An exploration of the technique of watercolour painting as a means of creating both non-objective and representational forms on a two-dimensional surface. Lab fee. Prerequisite: Fine 220* or consent of instructor. Winter term
FINE 321 Advanced Painting 2
A continuation of Fine Arts 220* with emphasis on independent problems. Lab fee. \ Prerequisite: Fine 220*. Not offered 1974]75.
FINE 322 Advanced Sculpture 1
Exploration of sculpture problems, specifically the organization and integration of three dimentional objects in a real environment. Lab fee. Prerequisite: Fine 222*. Not offered 197475.
FINE 323 Advanced Sculpture 2
A continuation of Fine 322* with emphasis on independent problems. Lab fee. Prerequisite: Fine Arts 222*. Not offered 1974]75.
FINE 324 Advanced Drawing 1
A course in which drawing is investigated as a means of expression and communication. An understanding of the human figure — its structure, its movement, and its connotation — will be a central goal of the work. Objects and the landscape will also be studied as sources of artistic possibility. The student will be encouraged to experiment with imagery, to develop personal vision, and to devise individual formal modes of expression. Lab fee. Prerequisite: Fine 224 and consent of instructor.
FINE 325 Advanced Drawing 2
A continuation of Fine Arts 324*.
FINE 326 Advanced Printmaking 1
The practice and study of various graphic techniques with emphasis on coloured intaglio, silk screen, and photographic processes. Lab fee. ' Prerequisite: Fine 226*.
FINE 458 Fine Arts
FINE 327 Advanced Printmaking 2
A continuation of Fine 326* with emphasis on independent problems. Lab fee. Prerequisite: Fine 326*.
FINE 328 Calligraphy L
A study of the art of written forms, combining studio projects with slide lectures on the history of writing, illuminating, and lettering. Students will strive for mastery in various calligraphic forms including Roman, Uncial, Gothic, Italic and Contemporary free scripts. Lab fee. No prerequisites. Not offered 1974]75.
FINE 329 Calligraphy 2
Studio work in techniques of preparation of graphic material for. reproduction, using illustration and typography as well as calligraphic forms, together with slide lectures on the history of printed forms. Lab fee. Prerequisite: Fine 328*. Not offered 1974]75.
FINE 334 Advanced Film ~ Making 1
Further exploration in documentary film. Visual significance, motivation and other aspects of script writing. Film Stock and processing paid by students. Prerequisite: Fine 234* and 235*. Fall term.
FINE 335 Advanced Film Making 2
Examination of production methdos in film and TV industry. Production of films. Lab fee. Prerequisite: Fine 334*.
FINE 346R Special : Topics in Film
Special topics will be announced from year to year.
FINE 370 Film Theory 1 (Anatomy of Film)
A development of ideas gained in Fine Arts 244* and 245*. Provided with the basic historical knowledge, the student will analyse the aesthetic aspects of cinema (principles known as “film language”). Selected contemporary films will be discussed. Regular film screening will accompany the course. Prerequisite: Fine 244*-245* or Fine 234*-235* or Permission. Fall term.
FINE 371 Film Theory 2 (Film Aesthetics and Criticism)
An extension of Fine 370*. The main accent will be placed upon major theories of cinematography, such as those of Kracauer, Metz, and Eisenstein, and upon the development of the students own judgment in the form of cricital expression. The impact of the film medium upon modern society will also be discussed as well as the relationship between film and television. Prerequisite: Fine
FINE 370 Winter term
FINE 390 Selected Subjects in Fine Arts
Research and reading courses under the direction of individual instructors. Admission by consent of instructor. Fall term.
Fine Arts
FINE 391 Selected Subjects in Fine Arts
Research and reading courses under the direction of individual instructors. Admission by consent of the Instructor. Winter term.
FINE 392 Selected Subjects in Fine Arts
Studio and practice courses under the direction of individual instructors. Admission by consent of instructor. Fall term.
FINE 393 Selected Subjects in Fine Arts
Studio and practice courses under the direction of individual instructors. Admission by consent of the Instructor. Winter term.
FINE 420 Senior Seminar in Graphics Techniques 1
Admission by consent of Instructor. Fall term.
FINE 421 Senior Seminar in Graphics Techniques 2
Admission by consent of Instructor. Winter term.
FINE 434 Senior Seminar in Film Techniques 1
Extended study and practice of film forms and techniques. Production of films with pedagogic value. Film stock and processing paid by the students. Prerequisites: Fine Arts 334-and 335. Fall term.
FINE 435 Senior Seminar in Film Techniques 2
Continuation of 434. Production of films based on fiction. Film stock and processing paid by students. Prerequisite: Fine 434. Winter term.
FINE 470 Senior Seminar in Film Concepts 1
Admission by consent of Instructor.
FINE 471 Senior Seminar in Film Concepts 2
Admission by consent of Instructor.
Admission by consent of Instructor.
FINE 472 Senior Seminar in Graphics Concepts 1
FINE 473 Senior Seminar in Graphics Concepts 2
Admission by consent of Instructor.
490* Senior Honours Presentation 1
Each student will work under the direction of a Fine Arts faculty member on an advanced creative project; the result of this endeavour will be presented in the form of an exhibition or its equivalent (i.e.: film, illustrated book, portfolio, or essay), which will be examined by faculty members of Fine Arts and also where pertinent, by members of other departments. Required of all students in Honurs Fine Arts. Admission by permission only.
FINE 491 Senior Honours Presentation 2
A continuation of Fine 490*. Admission by permission only.
FINE 460 Fine Arts
Requirements for Fine Arts General B.A. Degree in Music
To fulfill the requirements for a general degree in Fine Arts in _ Music students must take the equivalent of 14 half courses in Music including 150*G/151*G, 254*G/255*G. The remaining courses must be selected in consultation with the Music Faculty. Students from any faculty may take courses in Music on an elective basis.
Undergraduate Courses
FINE 102G Introduction to the Fine Arts
An integrated study of works of art and musical compositions, and their relationship to the time period in which they were created. The emphasis is on actual experiences of the arts. No prerequisites Not offered 1974-75.
FINE 150G Introduction Music 1
Examination by means of listening and analysis, of styles of music ranging from early Christian Chant to electronic and computer music. Composition to be studied included major forms such as sonata, symphony, opera, mass, etc., as well as smaller forms. 3 lectures. Fall term.
FINE 151G Introduction to Music 2
Continuation of 150*G. 150*G or consent of Instructor. Prerequisite: 3 lectures. Winter term.
FINE 166G Music Studio
Practical performance study with approved instructor and examination administered by music faculty. A half-course credit normally requires two terms of private study, but may be achieved in one term if supplemented with approved related studies in music literature. Prerequisite: consent of music faculty
FINE 252G Music and Literature 1
A study of music which is related to literary works from the various periods and genres, including Greek drama and mythology, the Bible, Goethe, Heine, Shakespeare, etc., and which have taken form in a variety of musical genres, such as lied, opera, oratorio and symphonic music. ° Not offered in 1974-75.
FINE 253G Music and Literature 2
A study of music which is related to literature concentrating on one or several writers, and which has taken form in one or several of the musical genres, such as lied, opera, oratorio and symphonic music. Not offered in 1974-75.
Fine Arts
FINE 254G Bach to Beethoven
Music from around 1700 to 1827, the Baroque and Classical Periods of music. Major composers studied are Bach, Haydn, Mozart, and Beethoven. Listening to music is an integral part of the course. 3 lectures. Fall term.
FINE 255G Music of the Romantic Period (19th century)
Included among the many musical compositions studied are operas of Wagner, Verdi and Mussorgsky, the lieder of Schubert, Schumann and Wolf, symphonic of Brahms, Mendelssohn, Tschaikowsky, and piano music of Chopin. 3 lectures. Winter term.
FINE 260G Choral Literature
Study of choral and ensemble music of all styles, sacred and secular, from the middle ages to the present. Laboratory sessions will consist of actual singing of choral works, leading to public performance. Prerequisite: 150/151G or consent of Instructor. 3 lectures. Fall term.
FINE 261G Choral Literature
Continuation of 260*G. 3 lectures. Winter term.
FINE 262G Instrumental Literature
The study of the music written from the seventeenth century to the present for a variety of instrumental groups, such as chamber music, symphony, concertos. Prerequisite: Fine 150G* — 151G* or consent of the instructor. 3 lectures. Fall term.
FINE 263G Instrumental Literature
Continuation of 262G*. Prerequisite: 262G*. 3 lectures. Winter term.
266G* Music Studio
See 166*G for course description. Prerequisite: 166G* and consent of music faculty.
273G* Traditional Folk Music
Countries to be discussed: Great Britain, Canada, the United States and the Antipodes. A series of lectures and discussions supplemented by records, tapes, and field recordings. Delineation of characteristic motifs in folk music. Various folk instruments will be used by the lecturer throughout the course: guitar, auto harp, hammer dulcimer, appalachian dulcimer, and five string banjo. 3 lectures. Winter term.
FINE 300G Stratford Festival Seminar
An interdisciplinary course intended for students interested in English, Music, Drama, and Speech. The focus of the seminar is centred in the dramatic and musical productions at Stratford Festival theatres plus performances at the Shaw Festival at Niagara-on-the-Lake and selected productions at Toronto and London, Ontario. Not offered 1974/75. Prerequisite: An introductory course in Music, Drama, or Speech, or consent of instructor. ©
FINE 462 Fine Arts
FINE 301G Stratford Festival Seminar
Continuation of Fine Arts 300G*. Not offered 1974-75
FINE 351G Ancient, Medieval and Renaissance Music
The study of music from pre-Christian times to approximately 1600.
FINE 352G Music of the Twentieth Century
A study of representative musical compositions of the twentieht century and their relationship to social, literary and political movements. Prerequisite: 150G*, 151G* or consent of instructor 3 lectures. Winter term.
FINE 366G Music Studio
See 166G* for course description. Prerequisite: 266G* and consent of music faculty.
FINE 466G Music Studio
See 166G* for course description. Prerequisite: 366G* and consent of music faculty.
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