64 courses in the 1973–74 Undergraduate Calendar, read from the scanned original. The text comes from OCR, so check the scanned page before relying on a detail.
Fine Arts
N.L. Patterson, B.A. (Washington)
Y. Burnett, B.S. (Columbia), M.A. (California) A.M. Urquhart, B.-A. (Buffalo)
J.H. Moyer, B.A. (Bethel College), M.A. (George Peabody College), Ph.D. (Iowa)
H. Martens, B.A., M.A. (Minnesota), Ph.D. (Columbia) D.I. MacKay, BFA. (Mt. Allison), M.F.A. (Cornell)
J. Uhde, M4. (Purkyne’s University, Brno, Czechoslovakia)
C. Crockford, B.E. (Alberta), M.A. (British Columbia) B. Bald, B.A. (Guelph) B.A. (Waterloo-Lutheran)
H. MacKenzie, ARCA, B.F.A. (Mt. Allison)
A. Roberts
V. Taborsky, Dipl, (Prague, Czechoslovakia)
Requirements for Fine Arts General B.A. in Art
To fulfill the requirements for a general degree in Fine Arts in Art students must take 12 half courses in Fine Arts, including 110*, 111*, 120*, 121*. Of the eight remaining half courses at least four must be on the third year level. Courses in music will be considered as electives and not as part of the regular Art programme in Fine Arts.
Students from any faculty may take courses in Fine Arts on an elective basis with the consent of their departments, or as part of their regular programme where their departments so direct.
Requirements for Fine Arts General B.A. Degree in Music
To fulfill the requirements for a general degree in Fine Arts in Music students must take the equivalent of 14 half courses in Music including 150*G/151*G, 254*G/255*G. The remaining courses must be selected in consultation with the Music Faculty.
Students from any faculty may take courses in Music on an elective basis.
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Fine Arts
Undergraduate Courses
An integrated study of works of art and musical compositions, and their relationship to the time period in which they were created. The emphasis is on actual experiences of the arts. No prerequisites Not offered 1973/74
A comparative survey of Western art, from prehistoric times to the Renaissance, emphasizing visual form as an expression of its historical and cultural context. No prerequisites. Fall term.
A comparative study of non-Western art, including the Orient, and the development of modern art from the Baroque to the Twentieth Century, emphasizing visual form as an expression of its historical and cultural context. Prerequisite: Fine Arts 110*. Winter term.
An introduction to the fundamental principles and concepts of visual art, through a series of experimental studio problems in two and three dimensional materials and media. Lab fee. Fall term. A series of studio projects designed to develop basic skills and apply
121* Fundamentals of Visual + Art 2 150*G Introduction to Music 1 151*G Introduction to Music 2
principles of visual dynamics in the various media of visual art. Lab fee. Prerequisite: Fine Arts 120*. Winter term.
Examination by means of listening and analysis, of styles of music ranging from early Christian Chant to electronic and computer music. Composition to be studied included major forms such as sonata, symphony, opera, mass, etc., as well as smaller forms. . 3 lectures. Fall term.
Continuation of 150*G 3 lectures. Winter term.
Prerequisite.
A survey of the history of modern art, examining its origins in the eighteenth century and the romantic and realistic art of the nineteenth century, showing how the late nineteenth century developed the basic characteristics of the twentieth century art. Prerequisite: Fine Arts 110*-111*.
A survey of modern art examining the development of twentieth century art from the Post-Impressionists through the multiple trends of the present decade. Both movements and individual artists will be studied. Prerequisite: Fine Arts 210*.
A survey of painting, sculpture, and architecture, especially in Florence and Siena, starting with Giotto and his contemporaries and covering innovations in perspective, anatomy, and iconography through the end of the 15th century. Prerequisite: Fine 110*/111*, or consent of Instructor.
80 Fine Arts
Renaissance, Leonardo, Raphael, and Michelangelo, and proceeding through Mannerism, Baroque, and Rococo in Florence, Venice and Rome.
Prerequisite: Fine 212* or consent of Instructor.
the art of Africa, the Americas, and Oceania, and European folk art (both continental and colonial). ; Not offered 1973/74 |
; Christianity in the Common era. The development and subsequent changes of style in places of worship and ceremonial objects and ornaments, and the changing forms of religious expression through visual art, will be studied. Not offered 1973/74
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creative expression: the fundamentals of composition and painting techniques (paints, materials, and preparation of painting surfaces) will be presented through studio projects. Lab fee. Prerequisite: Fine Arts 120*-121*.
two-dimensional surface using oil as a painting medium. Lab Fee. Consent of Instructor Fall Term
22* Fundamentals of Sculpture 1 Exploration of sculpture problems in various media as vehicles for
‘ serious creative expression: emphasis will be given to developing uhderstanding and mastery of three dimensional forms and the _preparation and handling of sculptural materials and tools. Lab fee. Prerequisite: Fine Arts 120*-121*.
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23* Fundamentals of Sculpture 2 A continuation of Fine Arts 222* with an emphasis on independent ‘ problems. Lab fee. Prerequisite: Fine Arts 222*. . Winter term..
(General Drawing) media, in order to dévelop accurate observation and understanding of form. Lab fee. . Prerequisite: Fine Arts 120*-121*. 226* ‘Introductory Graphics 2. An introductory course in materials and methods of printmaking with (General Printmaking) emphasis on silk screen techniques. , Lab fee. Prerequisite: Fine Arts 224*.
--Fine Arts.
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Through studio experiences, students will learn techniques for making accurate scale drawing of biological subjects in line and value, using various media. Methods of preparing drawings for reproduction will be included. No prerequisite. Not offered 1973/74
The history, design and practice of various applied arts will be explored in‘slide lectures and studio projects. Specific arts will vary from year to year: current offerings are given below. _
The history of textile arts and the problems of design for textile media will be explored, combining lectures and studio projects in both two and three dimensional expressive forms. Traditional textile materials and methods will be applied to the creation of contemporary expressive and autonomous forms. Students will supply their own materials. : Winter Term.
Basic introduction to the field of audio visual media: principle techniques and methods; scripting, production and directing; camera, sound and editing techniques; film forms. Photo supplies, film stock and processing at student expense. (Super 8mm). Lab fee. . Prerequisite: Fine Arts 120*-121* or consent of instructor. Fall term.
Practical introduction to film techniques. Theory, experiments and assignments in script writing, production planning, directing, editing and camera work. Further differentiation in film forms. Lab fees. Prerequisite: Fine Arts 234*. Winter term.
The historic development of world cinematography in its silent era (1895-1929), including a short mention of the prehistory of film (before 1895), covering the most important artistic movements, works by outstanding directors and their contribution to the film as an independent form of art. Regular screenings will accompany discussion of historic and aesthetic aspects of film. Prerequisite: Fine 110*-111* or consent of instructor. Fall term.
A continuation of Fine 244*: the extension of film history into the sound era (since 1929) including the most recent period. Prerequisite: Fine Arts 244*. Winter term.
A theological approach to the study of film as a world-transforming phenomenon for man. An assessment of film’s special characteristics as an art form capable of addressing man’s quest for:a significant existence. Consideration of a wide range of films and directors, .with particular emphasis on Ingmar Bergman. Film Fee $5.00 .
Fine Arts .
An exploration of selected themes - death, evil, guilt, fate, alienation, love, redemption — in the films of several of today’s leading directors: Bunuel, Pasolini, Kurosawa, Fellini, Antonioni, Polanski. Film Fee $5.00
A study of music which is related to literary works from the various periods and genres, including Greek drama and mythology, the Bible, Goethe, Heine, Shakespeare, etc., and which have taken form in a variety of musical genres, such as lied, opera, oratorio and symphonic music. ' Not offered in 1973/74
A study of music which is related to literature concentrating on one or several writers, and which has taken form in one or several of the musical genres, such as lied, opera, oratorio and symphonic music. Not offered in 1973/74
Music from around 1700 to 1827, the Baroque and Classical Periods of music. Major composers studied are Bach, Haydn, Mozart, and Beethoven. Listening to music is an integral part of the course. 3 lectures. Fall term.
Included among the many musical compositions studied are operas of Wagner, Verdi and Mussorgsky, the lieder of Schubert, Schumann and Wolf, symphonic music of Brahms, Mendelssohn, Tschaikowsky, and ; piano music of Chopin. 3 lectures. Winter term.
Study of choral and ensemble music of all styles, sacred and secular, from the middle ages to the present. Laboratory sessioris will consist of actual singing of choral works, leading to public performance.
. Prerequisite 150/151 G or consent of Instructor.
3 lectures. Fall term.
Continuation of 260*G. 3 lectures. Winter term.
The study of the music written from the seventeenth century to the present for a variety of. instrumental groups, such as chamber music, symphony, concertos. 3 lectures. Fall term. . Prerequisite: Fine 150G* - 151G* or the consent of the instructor.
Continuation of 262G* Prerequisite: 262G* 3 lectures. Winter term.
Students will meet the Conservatory Grade 10 (London or Toronto) standards and will present the examiner’s report.
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72*G The Folk Music of Europe and North America
00*G Stratford Festival Seminar
10* (C. Civ. 351*) Greek Art and Architecture
383 Fine Arts oo \.
Countries to be discussed: British Isles, France, Germany, the Balkans and Eastern Europe, including the Ukraine and Russia; Canada and the USA through Library of Congress record albums, Folkways and other records, field recordings from Bulgaria, Yugoslavia, Czechoslovakia, Greece, Hungary, Rumania. 3 lectures.
An interdisciplinary course intended for students interested in English, Music, Drama, and Speech. The focus of the seminar is centered in the dramatic and musical productions at Stratford Festival theatres plus performances at the Shaw Festival Theatre at Niagara-on-the-Lake and selected productions at Toronto and London, Ontario. Not offered 1973/74 Prerequisite: An introductory course in Music, Drama, or Speech, or ‘ consent of instructor.
Continuation of Fine Arts 300*G. Not offered 1973/74 .
A survey of the art and architecture of the ancient Gréek world from the Minoan to the Hellenistic periods. 3 lectures. Consult Classics listing.
311* (C, Civ. 352*) Roman Art and Architecture ” 312* Renaissance Art Outside Italy
A survey of the art and architecture of the Roman world from Etruscan to Imperial times. 3 lectures. Consult Classics listing.
A survey of painting, and related developments in sculpture and architecture, from the late Gothic period through the High Renaissance. 1 Emphasis will be on the Flemish and German schools. Prerequisite: Fine 110*-111* or consent of instructor. ; Not offered 1973/74
Mannerism, Baroque, and Rococo in Northern Europe and Spain. The contributions of such masters as Brueghel, Rembrandt, Rubens and 2 Velasquez will be studied as well as the emergence of genre and landscape painting and the development of national schools. Prerequisite: Fine Arts 312* or consent of instructor. Not offered 1973/74
An examination of Canadian art beginning with the aboriginal arts of 1 Indians and Eskimos, extending through the imported styles of settlers, especially from Britain and France, in the seventeenth, eighteenth and nineteenth centuries, to the development of the nationalist styles of the early twentieth century, culminating in contemporary Canadian art. No prerequisites.
A continuation of Fine Arts 316*. 2 Prerequisite: Fine Arts 316°.
An exploration of the technique of watercolour painting as a means of 1 creating both non-objective and representational forms on a .. two-dimensional surface. Lab fee. Prerequisite: Fine 220 or consent of instructor. Winter term.
Fine Arts
A continuation of Fine Arts 220* with emphasis on independent problems. Lab. fee. Prerequisite: Fine 220*. Fall term.
Exploration of sculpture problems, specifically the organization and integration of three dimensional objects in a real environment. Lab fee. Prerequisite: Fine 222°.
A continuation of Fine 322* with emphasis on independent problems. Lab fee. Prerequisite: Fine Arts 222°.
A course in which drawing is investigated as a means of expression and communication. An understanding of the human figure - its structure, its movement, and its connotation — will be a central goal of the work. Objects and the landscape will also be studied as sources of artistic possibility. The student will be encouraged to experiment with imagery, to develop personal vision, and to devise individual formal modes of expression. .
A continuation of Fine 324*.
The practice and study of various graphic techniques with emphasis on coloured intaglio, silk screen; and photographic processes. Lab fee. Prerequisite: Fine 226*.
A continuation of Fine 326* with emphasis on independent problems. Lab fee. . Prerequisite: Fine 326*.
A study of the art of written forms, combining studio projects with slide lectures on the history of writing, illuminating, and lettering. Students will strive for mastery in various calligraphic forms including Roman, Uncial, Gothic, Italic and Contemporary free scripts. Lab fee. No prerequisites.
Studio work in techniques of preparation of graphic material for * reproduction, using illustration and typography as well as calligraphic forms, together with slide lectures on the history of printed forms. Lab fee. ; Prerequisite: Fine 328*.
Further exploration in documentary film. Visual significance, motivation and other aspects of script writing. Film Stock and processing paid by students. . Prérequisite: Fine 234* and 235*. Fall term.
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Fine Arts
Examination of production-methods in film and TV industry. Production
of films. Lab fee. Prerequisite: Fine 334*.
A study of representative musical compositions of the twentieth century and their relationship to social, literary and political movements. Prerequisites: Fine 150*G and 151*G, or consent of instructor. Not offered 1973-74 >
A development of ideas gained in Fine Arts 244* and 245*. Provided with the basic historical knowledge, the student will analyse the aesthetic aspects of cinema (principles known as “film language”). Selected contemporary films will be discussed. Regular film screenings will accompany the course. Prerequisites: Fine 244*-245* or Fine 234*-235* or Permission. Fall term.
An extension of Fine 370*. The main accent will be placed upon major theories of cinematography, such as those of Kracauer, Metz, and Eisenstein, and upon the development of the students own judgment i in the form of critical expression. The impact of the film medium upon modern society will also be discussed as well as the relationship between film and television.
Prerequisite: Fine
Research and reading courses under the direction of individual instructors. Admission by consent of the instructor. Fall term.
Research and reading courses under the direction of individual instructors. Admission by consent of the Instructor. Winter term.
Studio and practice courses under the direction of individual instructor. Admission by consent of instructor. Fall Term.
393* Selected Subjects in Fine Arts
Studio and practice courses under the direction of individual instructors. Admission by consent of instructor. Winter Term.
Admission by consent of Instructor. Fall term.
Admission by consent of Instructor. Winter term.
Extended study and practice of film forms and techniques. Production of films with pedogogic value. Film stock and processing Paid by b the students. Prerequisites: Fine Arts 334 and 335. Fall term.
86 , Fine Arts
Techniques 2 and processing paid by students. Prerequisite: Fine 434 Winter term. \
and will present the examiner’s report.
Concepts 1 .
Concepts 2.
Presentation 1 member on an advanced creative project; the result of this endeavour will be presented in the form of an exhibition or its equivalent (i.¢.: a film, illustrated book, portfolio, or essay), which will be examined by faculty members of Fine Arts and also where pertinent, by members of other departments.
, Required of all students in Honours Fine Arts.
Admission by permission only. )
Presentation 2 Admission by permission only.
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