FINE 110 Introduction to World Art 1F 3C 056
A comparative survey of Prehistoric and Ancient Art, and of Oriental, African.
New World and Oceanian Art.
emphasizing visual form as an expression of its historical and cultural context.
89 courses in the 1984–85 Undergraduate Calendar, read from the scanned original. The text comes from OCR, so check the scanned page before relying on a detail.
A. Roberts, BA (Guelph), MA (Claremont)
Adjunct Faculty
M. Bird, BA, MA, PhD (lowa)
P. Swann, BA, MA (Oxford), DLitt (Brock), DLitt (Queen's)
Faculty members holding cross appointments to Fine Arts from: Classical Studies
Course Descriptions Courses not offered in the current |
academic year are listed at the end of this section.
ART HISTORY OFFERINGS
A comparative survey of Prehistoric and Ancient Art, and of Oriental, African.
New World and Oceanian Art.
emphasizing visual form as an expression of its historical and cultural context.
A comparative survey of Western Art from the Classical to the Modern Period, emphasizing visual form as an expression of its historical and cuftural context.
An examination of the history of Modern Art from the late 18th century up to the time of impressionism.
A continuation of FINE 210, commencing with impressionism and proceeding through the major trends of the early 20th century up to the contemporary period. .
Art 1 A survey of the innovations in European painting, sculpture, and architecture between 1260 and 1500.
Prereq: FINE 111 or consent of
- instructor.
Fine Arts
Art 2 A continuation of FINE 212 starting with the masters of the High Renaissance and concluding with the art of the Mannerists.
Prereq: FINE 212 or consent of instructor
An introductory survey of the visual art and architecture of Judaism and Christianity in the Common era. The development and subsequent changes in style in places of worship and ceremonial objects and ornaments, and the changing forms of religious expression through visual art will be studied.
A survey that begins with the art of British and French settlers in the 17th century and concludes with developments in contemporary Canadian Art.
The arts and crafts of Canadian Indian and Inuit (Eskimo) peoples are examined with slide lectures, films, and student presentations.
A seminar exploring the, contemporary avant garde movements through critical analysis, historical correlation, discussions with artist and trips to Toronto and New York. Topics covered will include environmental sculpture, conceptual trends, earth works, performance, technology, postal art, and the business aspects of art.
1900-1940 A study of the major innovations in early 20th century painting, sculpture and architecture. Honours Art History majors interested in the modern period are encouraged to use this course as preparation for the 4th year honours presentation.
Prereq: FINE 211 or consent of instructor
1940-1970.
A survey of the major movements during the 30 year period following the beginning of World War Il, including Op Art, Action Painting, the Beat Consciousness, Happenings, Pop Art, Assemblage, Post-Painterly Abstraction
and Field Painting, and Kinetic and Light”
Sculpture.
The development, design, documentation, security, conservation, installation and interpretation of arts and crafts exhibitions will be explored through lectures on the history, purpose and function of fine arts exhibitions; gallery visits; student projects; and the creation and presentation of an actual exhibition using the University of Waterloo Arts Centre Gallery in Modern Languages and the Fine Arts Studio Suite Gallery in ES 2 as laboratory facilities.
Research and reading courses under
the direction of individual instructors. Admission by consent of instructor.
For students planning a Senior Honours Presentation in Art History. Students will examine methods of formal and stylistic analysis, iconographical interpretation and the application of social and political history to the understanding of works of art. Required of all art history Majors who take FINE 490/491 and 490A.
Admission by consent of instructor.
Research and reading: courses under
the direction of individual instructors. Admission by consent of instructor.
Admission by consent of instructor.
ANE 473 W R 05 Senior Seminar 2 Admission by consent of instructor.
Course description on last page of Studio Offerings.
16.53
Course description on last page of Studio Offerings.
Course description on last page of Studio Offerings.
Course description on last page of Studio Offerings
Not offered in 1984–85.
Not offered in 1984–85.
Not offered in 1984–85.
Not offered in 1984–85.
Not offered in 1984–85.
General history of world cinema in its silent and early sound era, covering the work of outstanding directors, national productions and movements, and their contribution to the film medium’s development into a prominent art form of the 20th century. Regular film screenings.
Film fee.
beginnings of the modern sound cinema (Welles) to the contemporary period. Regular film screenings.
Prereq: FINE 250 or consent of instructor
Film fee. .
An exploration of spiritual themes and issues in the cinema. An assessment of film’s special characteristics as an art form capable of addressing the human quest for a significant existence.
- Emphasis upon the films of Ingmar
Bergman. Cross-listed as R S 266. Film fee: $5.00
A consideration of selected themes-death, evil, guilt, fate, alienation, courage, love, redemption-in the films of several of today’s leading directors. Emphasis upon a variety of directors from divergent cultura! backgrounds. Cross-listed as R S 267. Film fee: $5.00
Cinema as “prophetic voice,” exploring the films of various directors as they pertain to selected themes which include technology and dehumanization, Individual and collective goals, social realities and dreams, and the quest for individual andi cultural identity.
Film fee: $5.00
A study of Canadian film, from 1895 to the present, based on the screening and analysis of selected films.
This is a WLU course for Film Studies Majors/Minors only.
FINE 259wW W 05 German Film A study of major works (English subtitles) of the German cinema, beginning with the "golden age” of the 1920's and emphasizing the New German Cinema created by directors such as Fassbinder, Wenders, Herzog, Straub, Schléndortf and others.
This is a WLU course for Film Studies Majors/Minors only.
A study of the technical problems of
film making, leading to the writing.
Production and editing of a silent film. This is a WLU course for Film Studies
Majors/Minors only.
A study of the principles of sound recording for film and of the colour laboratory and its techniques. The students will produce a short colour/sound film.
Prereq: FINE 270W, any other film course or consent of instructor
This is a WLU course for Film Studies Majors/Minors only.
A chronological survey of one of the tichest and most intriguing of film genres. Discussion of its aesthetic, philosophical and cinematic aspects. Film screenings will present major — international works in this genre (Godard, Kubrick, Lang, Lucas, Marker, Siegel, Tarkovsky, Truffaut and other directors). Regular film screenings. Prereq: FINE 250/251 or consent of instructor Film fee.
A study of major achievements of the Italian cinema in its post-Neo-Realist period. Discussion of the works of major directors since the late 1950's. Antonioni, Bertolucci, Fellini, Olmi, Taviani, Rosi, Visconti and others. Regular film screenings.
Prereq: FINE 250/251 or consent of instructor
Film fee.
Special topics will be announced from year to year.
Motion pictures as an art form. Discussion of the visual language and the principal structural elements of film work. Relationship between film, television and other arts. Regular film screenings. .
Prereq: A film course or consent of instructor
Film fee.
Development of the students’ own critical expression. Discussion of major film theories. Eisenstein, Kracauer, Bazin, Metz. The impact of film and television upon modern society and vice versa. Regular film screenings.
Prereq: A film course or consent of instructor
Film fee.
Research and reading courses under
the direction of individual instructors. Admission by consent of instructor.
Research and reading courses under
the direction of individual instructors. Admission by consent of instructor.
Course Descriptions Fine Aris
Film screenings.
Admission by consent of instructor.
Film screenings. '
Admission by consent of instructor.
Course description on last page of Studio Offerings.
Course description on last page of Studio Offerings.
Not offered in 1984–85.
Not offered in 1984–85.
An introduction to the fundamental principles and concepts of visual art through a series of experimental studio probiems in 2 and 3 dimensional materials and media.
Lab fee.
A continuation of ANE 120 with emphasis on colour.
Prereq: FINE 120
An exploration of the problems and
- possibilities of painting as a vehicle for
serious creative expression. The fundamentals of composition and painting techniques will be presented through a series of studio projects. Prereq: FINE 120/121 or consent of
’ instructor
Lab fee.
An exploration of the technique of watercolour painting as a means of creating both non-objective and representational forms on a twodimensional surface.
Prereq: FINE 120/121
Lab fee.
Fine Arts °
A continuation of the studio projects begun in FINE 220 with a greater emphasis on the development of individual expression. : Prereq: FINE 220 or consent of instructor Lab fee.
An introduction to sculpture. Threedimensional form will be explored with the emphasis on the handling of clay and wood as an expressive medium enhanced by surface treatment. Prereq: FINE 120/121 ° Lab fee.
An introduction to multi-media sculpture. Additive and subtractive use of wood, metal and plaster casting together with a mastery of three-dimensional forms in a variety of media.
Prereq: FINE 222
Lab fee. ‘
Using a variety of clay bodies and firing techniques, students will explore figurative and abstract sculptural concepts, to develop a working knowledge of clay as a sculptural medium.
: Half the time will be devoted to drawing from the model and the remainder to a series of drawing concepts. At least 1 field trip will be included: Art Gallery of Ontario or the Albright Knox in Buffalo. Prereq: FINE 120/121 Lab fee.
Analytical figure drawing from the model will be combined with a study of human anatomy for artists.
Prereq: FINE 120/121
Lab fee.
Introduction to materials and methods of Printmaking. Current offerings are given below.
An introduction to basic intaglio techniques including etching and ; engraving through workshops, class demonstrations and field trips. Prereq: FINE 120/121 or consent of instructor Lab fee.
An introduction to screen printing, with emphasis on exploration of ink properties and stencil techniques. Prereq: FINE 120/121 or consent of instructor Lab Fee.
Through studio experiences, students will learn techniques for making accurate scale drawings of biological subjects in line and value, using various media. Methods of preparing drawings for reproduction will be included.
The history, design and practice of various applied arts will be explored in slide lectures and studio projects. Specific arts will vary from year to year; current offerings are given below.
The history of textile arts and problems of design for textile media will be explored combining lectures and studio projects in both 2 and 3 dimensional expressive forms. Traditional textile materials and methods will be applied to the creation of contemporary expressive and autonomous forms. Students will supply their own materials.
A studio course using applied graphics techniques, including illustration, typographic composition, and perspective drawing. Methods of preparing work for reproduction will also be explored.
Introduction to photographic techniques for use as a too! for artists. Basic techniques will be taught through a series of exercises, with emphasis on applications for creative artistic expression and documentation. Intended for Fine Arts majors. Supplies at student's expense.
Prereq: FINE 120/121
16.55
A study of the art of written forms, combining studio projects with slide lectures on the history of writing, illuminating and lettering. Students will strive for mastery in various calligraphic forms selected from among historic styles such as Roman, Uncial, Bookhand, Gothic, Italic and Fraktur.
This studio course will explore various
contemporary approaches to the visual
arts, such as performance, site-specific
works, installations, earth works, etc. Prereq: FINE 120/121
Drawing upon the experience gained in FINE 220/221 this course will emphasize the student's individual development as a beginning painter, through independent problems, along with class discussions and individual critiques. Prereq: FINE 220/221 or consent of instructor Lab fee.
A continuation of Fine arts 320 with a further emphasis on independent problems.
Prereq: FINE 320 or consent of instructor
Lab fee.
An exploration of sculpture problems in a variety of media as vehicles for serious creative expression. Wood, metal, glass and soapstone will be used
_ for visual portrayal of spatial ideas.
~ Prereq: FINE 222/223 Lab fee.
Organization and integration of sculptural concepts in clay to develop a series of representational or abstract sculptures. Clay and glaze technology for oxidation stoneware firing will be stressed.
Prereq: FINE 322
A course in which drawing is investigated as a means of expression and communication. The human figure, objects, and the landscape will be studied as sources of artistic imagery. The student will be encouraged to experiment with imagery, to develop personal vision, and to devise individual formal means of expression.
Prereq: FINE 224 ar consent of instructor
Lab fee.
A continuation of printmaking concepts for independent study. Admission by permission of instructor. Lab fee.
A combination of tradition and experiment with the letter as art form. Students will work with traditional materials and explore new or unusual materials or combinations of materiais. They will also be encouraged to develop their own classical or experimental projects.
Studio work in techniques and theory of
book illustration, together with slide
lectures on the history of printed forms. Prereq: Consent of instructor
Studio and practice courses under the direction of individual instructors, - Admission by consent of instructor.
Studio and practice courses under the
direction of individual instructors. Admission by consent of instructor.
Admission by consent of instructor.
Admission by consent of instructor.
Admission by consent of instructor.
Admission by consent of instructor
Each student will work under the direction of a Fine Arts faculty member on an advanced creative or research project. The result of this endeavour will be presented in the form of an exhibition or its equivalent (i.e, film.
* illustrated book, portfolio, or essay).
which will be examined by faculty members of Fine Arts and also, where pertinent, by members of other departments.
Required of all students in Honours Fine Arts.
Admission by permission only.
As in FINE 490, each student will work under the direction of a Fine Arts faculty member on an advanced creative or research project, and will participate in group critiques and discussions. Required of all 4 year General Fine Arts students. > Admission by permission only.
A continuation of FINE 490. Admission by permission only.
A continuation of FINE 490A An optional course for 4 year General Fine Arts students. Admission by permission only.
Not offered in 1984–85.
Not offered in 1984–85.
Not offered in 1984–85.