FINE 110 Introduction to Art History 1F 3C 0.5
A comparative survey of Prehistoric Ancient, Classical and Medieval Art, emphasizing visual form as an expression of its historical and cultural context.
88 courses in the 1993–94 Undergraduate Calendar, read from the scanned original. The text comes from OCR, so check the scanned page before relying on a detail.
see page 16:41 see page 16:65
Music see page 16:100 For program information, please see
Chapter 8, Faculty of Applied Health Sciences, and Chaper 9, Faculty of Arts
Fine Arts
Undergraduate Officer J.G. Buyers, ECH 1203, ext. 2614
Students should consutt the “Fine Arts Course Offerings” lists, available from the departmenial secretary, before each semester, to ensure that the courses they Select are offered. Budget restrictions, enrolment and availability of faculty may cause some courses to be withdrawn.
ART HISTORY OFFERINGS
A comparative survey of Prehistoric Ancient, Classical and Medieval Art, emphasizing visual form as an expression of its historical and cultural context.
A comparative survey of art from the Renaissance to the present, emphasizing visual form as an expression of its historical and cultural context.
An examination of the history of Modem Art from the late 18th century up to the time of Impressionism. .
A continuation of FINE 210, commencing with Impressionism and proceeding through the major trends of the early 20th century up to the contemporary period.
A survey of the innovations in European painting, sculpture, and architecture between 1260 and 1500.
Prereq: FINE 111 or consent of instructor
A continuation of FINE 212 starting with
the masters of the High Renaissance and
concluding with the art of the Mannerists. Prereq: FINE 212 or consent of
instructor
and Gothic Art.
Prereq: FINE 111 or consent of instructor
Course Descriptions Fine Arts
A study of 17th-century painting, sculpture and architecture In Italy, Spain, Flanders, France and Holland.
Prereq: FINE 111 or consent of instructor
A study of painting, sculpture, graphic arts and architecture in 18th century Europe.
An approach to understanding the myths, symbols and spirituality of Indian religion through a study of representative art, architecture and folk literature of Hinduism, Jainism, and indian Buddhism. Consult Religious Studies Cross-listed as AS 269
A survey that begins with the art of British and French settlers in the 17th century and concludes with developments in contemporary Canadian Art.
A survey of the art and architecture of the ancient Greek world from the Minoan to the Hellenistic periods.
Consult Classical Studies
Cross-listed as CLAS 351
A survey of the art and architecture of the Roman world from Etruscan to Imperial times.
Consult Classical Studies
Cross-listed as CLAS 352
A survey of contemporary international art movements with emphasis on work since 1970. Readings in contemporary criticism and gallery visits are an integral part of the course.
* Prereq: FINE 210 and 211
1900-1940 A study of the major innovations in early 20th-century painting, sculpture and architecture. Honours Art History majors interested in the modern period are encouraged to use this course as preparation for the fourth-year Honours presentation. Prereq: FINE 211 or consent of instructor
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The development, design, documentation, security, conservation, installation, and interpretation of visual art exhibitions will be explored through lectures on the history, purpose and function of fine arts exhibitions; gallery visits and student projects which analyse various art gallery operations.
Research and reading courses under the Girection of individual instructors.
This course may be taken only as an elective after a student has completed 30 term courses and has taken all the courses available in the area related to the independent course.
Admission by consent of instructor
For students planning a Senior Honours Presentation in Art History. Students will examine methods of formal and stylistic anatysis, iconographical interpretation and the application of social and political history to the understanding of works of art. Required of ail art history majors who take FINE 490/491 and 490A.
Admission by consent of instructor
Research and reading courses under the direction of individual instructors.
This course may be taken only as an elective after a student has completed 30 term courses and has taken all the courses available in the area related to the independent course.
Admission by consent of instructor
Admission by consent of instructor
Admission by consent of instructor
Each student will work under the direction of a Fine Arts faculty member on an advanced creative or research project. The result of this endeavour will be presented in the form of an exhibition or its equivalent (e.g. film, illustrated book, portfolio, or essay) which will be examined by faculty members of Fine Arts and also, where pertinent, by members of other departments.
Admission by permission only
As in Fine Arts 390A, each student will work under the direction of a Fine Arts faculty member on an advanced research project. Required of all fourth-year general art history majors.
Admission by permission only
A continuation of FINE 490. Admission by permission only
A continuation of FINE 490A.
FILM STUDIES OFFERINGS
History of world cinema in its silent and early sound era, covering the work of outstanding directors, national productions and movements, and their contribution to the film medium’s development into a prominent art form of the 20th century. Film screenings.
A continuation of FINE 250. From the beginnings of the modern sound cinema (Welles) to the contemporary period. Film screenings.
An exploration of spiritual themes and issues in the cinema. An assessment of film's special characteristics as an art form capable of addressing the human quest for a significant existence. Emphasis upon the films of Ingmar Bergman.
Cross-listed as RS 266
A consideration of selected themes — death, evil, guilt, fate, alienation, courage, love, redemption — in the films of several of today's leading directors. Emphasis upon a variety of directors from divergent cultural backgrounds.
Cross-listed as RS 267
Cinema as “prophetic voice”, exploring the films of various directors as they pertain to selected themes which include technology and dehumanization, individual and collective goals, social realities and dreams, and the quest for individual and cultural identity.
Course Descriptions Fine Arts
A study of Canadian film, from 1895 to the present, based on the screening and analysis of selected films.
This is a WLU course for Film Studies Majors/Minors only.
A study of major works (English subtitles)
of the German cinema, beginning with the
“golden age” of the 1920's and emphasiz-
ing the New German Cinema created by
directors such as Fassbinder, Wenders.
Herzog, Straub, Schiéndoroff and others. This is a WLU course for Film Studies
Majors/Minors only.
A study of the technical problems of filmmaking, leading to the writing, production and editing of a silent film.
This is a WLU course for Film Studies
Majors/Minors only.
A study of the principles of sound recording for film and of the colour laboratory and its techniques. The students will produce a short cofour/sound film. Prereq: FINE 270W, any other film course or consent of instructor This is a WLU course for Film Studies
Majors/Minors only.
A study of major achievements of the French cinema after World War Il. Discussion and comparison of the two main creative impulses of the period: the Academic tradition of the 40's and 50's, and the rebellious nouvelle vague of the 60's. (Bresson, Camé, Ophils, Renoir, Chabrol, Godard, Malle, Truffaut, Resnais, and others.) Film screenings.
Examination of the development of the motion picture art in Central and Eastern Europe after World War ti. Selected work of prominent directors of Czechoslovakia, Hungary, Poland, the former USSR, and former Yugoslavia will be discussed (Chytilova, Forman, Jancs6, Makavejev, Tarkovsky, Wajda, and others). Film screenings.
A chronological survey of one of the most intriguing of film genres. Discussion of its aesthetic, philosophical and cinematic aspects. Film screenings will present major international works in this genre (Godard, Kubrick, Lang, Marker, Siegel, Tarkovsky, Truffaut and other directors). Film screenings.
A study of major achievements of the Italian cinema in its post-Neo-Reailist period. Discussion of the works of major directors since the late 1950's. Antonioni, Bertolucci, Fellini, Olmi, Taviani, Rosi, Visconti and others. Film screenings.
Special topics will be announced from year to year.
This course introduces students to significant aspects of modem German culture through film, and links this study with that Of literature. It involves viewing and analyzing films and establishing a connection to related literary and cultura! traditions.
Prereq: Open to all students above first year
Cross-listed as GER 300
Taught in English
Examination of principles of the audiovisual language and the main structural elements of the cinematic work. Discussion of the relationship between film, television and other asts/media. Film screenings.
Development of critical judgment and expression In the area of film and television. Investigation of the role of motion pictures and TV in society. Review of major theories (Eisenstein, Bazin, Metz, Kracauer, Esslin). Film screenings.
FINE 3802 and 381Z
Film Studies Seminar
An introduction to key aspects of motion picture and TV production, film preservation and restoration with visits to studios, film archives, and museums. Screening of selected films and discussions focussing on material unavailable in Canada. Meetings with scholars/students. (Three weeks in Paris and London.)
Research and reading courses under the direction of individual instructors.
This course may be taken only as an elective after a student has completed 30 term courses and has taken aif the courses available in the area related to the independent course.
Admission by consent of instructor
Research and reading courses under the direction of individual instructors.
This course may be taken only as an elective after a student has completed 30 term courses and has taken all the courses available in the area related to the independent course.
Admission by consent of instructor
Film screenings.
Admission by consent of instructor
Film screenings.
Admission by consent of instructor
Each student will work under the direction of a Fine Arts faculty member on an advanced creative or research project. The result of this endeavour will be presented in the form of an exhibition or its equivalent (e.g. film, illustrated book, portfolio, or essay) which will be examined by faculty members of Fine Arts and also, where pertinent, by members of other departments.
Admission by permission only
As in FINE 390A, each student will work under the direction of a Fine Arts faculty member on an advanced research project. Regired of all fourth-year generat film studies majors.
A continuation of FINE 490. Admission by permission only
STUDIO OFFERINGS
Note
Students should expect material costs to range between $60 and $200 per studio course.
Course Descriptions Fine Arts
An introduction to the fundamental principles and concepts of visual art through a series of drawing exercises using a variety of materials.
A continuation of FINE 120 with emphasis on colour and painting. Prereq: FINE 120
An exploration of the problems and possibilities of painting as a vehicle for serious creative expression. The fundamentals of composition and painting techniques will be presented through a series of studio projects.
Prereq: FINE 120/121
A continuation of FINE 220 with emphasis
on the development of technical.
intellectual and observational skilis. Prereq: FINE 220
An introduction to sculpture. Threedimensional form will be explored with the emphasis on the handling of clay and wood as expressive media enhanced by surface treatment. Required of ail Fine Arts studio majors.
Prereq: FINE 120/121
A continuation of FINE 222 in which clay, wood and plaster will be used to express ideas three-dimensionally.
Prereq: FINE 120/121/222
Using a variety of clay bodies and firing techniques, students will explore figurative and abstract sculptural concepts, to develop a working knowledge of clay as a sculptural medium.
Prereq: FINE 120/121
Analytical and expressive drawing ina variety of media with emphasis on the development of technical, intellectual and observational skills.
Prereq: FINE 120/121
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Analytical figure drawing from the model
will be combined with a study of human anatomy for artists. Prereq: FINE 120/121
Introduction to the basic processes in relief and intaglio printmaking. Relief printmaking will include linocut, woodcut, single and multiple colour printing. Intaglio printmaking will include etching, drypoint, and collograph.
Prereq: FINE 120/121
An introduction to basic lithographic processes using aluminum pilates, including multiple colour printing.
Prereq: FINE 120/121
An investigation into a variety of experimental, non-traditional printmaking techniques.
A studio course using applied graphics techniques, including illustration, typographic composition, and perspective drawing. Methods of preparing work for reproduction will also be explored.
Introduction to photographic techniques for use as a tool for artists. Basic techniques will be taught through a series of exercises, with emphasis on applications for creative artistic expression and documentation. Intended for Fine Arts majors. Supplies at student's expense.
Prereq: FINE 120/121
An introduction to the use of the computer for monochrome and colour two dimensional image generation and manipulation. Students will produce 35mm colour transparencies and colour photographic prints to document their work. Intended for Fine Arts majors.
Prereq: FINE 226D and conser of instructor
Drawing upon the experience gained in FINE 220/221 this course will emphasize the student's individual development as a beginning painter, through independent problems, along with class discussions and individual critiques.
Prereq: FINE 220/221
A continuation of FINE 320 with a further
emphasis on independent problems. Prereq: FINE 320
An exploration of sculptural problems in a variety of media as vehicles for serious creative expression.
Prereq: FINE 222/223 .
A continuation of FINE 322 in which students will explore sculptural problems ina variety of media.
Prereq: FINE 322
An exploration of drawing problems in a
variety of media. The emphasis is on
students becoming familiar with contem-
porary approaches to drawing and devel-
oping their own individual expression. Prereq: FINE 224 and 225
Advanced processes in printmaking depending on the previous experience of students in the class.
Prereq: FINE 226A and 2268 or 226C
A continuation of FINE 228H and an introduction to three dimensional image generation and manipulation. Students will produce 35mm transparencies and colour photographs to document their work. Intended for Fine Arts majors. Supplies at student's expense.
Prereq: FINE 228H
Course Descriptions Fine Arts
Studio and practice courses under the direction ot individual instructors.
This course may be taken only as an elective after a student has completed 30 term courses and has taken all the courses available in the area related to the independent course.
Admission by consent of instructor
Studio and practice courses under the direction of individual instructors.
This course may be taken only as an elective after a student has completed 30 term courses and has taken all the courses available in the area related to the independent course.
Admission by consent of instructor
Working in the field with landscape, cityscape, and monuments of art, students will employ a variety of media to develop techniques for visual reportage, documentation, note-taking, and journal-keeping. Individual aesthetic responses to a wide range of subject matter will be encouraged. Offered in the spring, usually in France, England or Mexico. Information about current offerings can be obtained from the Department.
Each student will work under the direction of a Fine Arts faculty member on an individual research or creative project. The results of this work will be examined in critiques by the full faculty.
Admission by permission only
Acontinuation of FINE 472 or 490. Admission by permission only
Independent study/practice course under the direction of individual instructors.
This course may be taken only as an elective after a student has completed 30 term courses and has taken all the courses available in the area related to the independent course.
Prereq: Consent of instructor
Independent study/practice course under the direction of individual instructors
This course may be taken only as an elective after a student has completed 30 term courses and has taken all the courses available in the area relaied to the independent course.
Prereq: Consent of instructor
Each student will work under the direction of a Fine Arts faculty member on an advanced creative or research project. The result of this endeavour will be presented in the form of an exhibition or its equivalent (e.9. film, itlustrated book, portfolio, or essay), which will be examined by faculty members of Fine Arts and also, where pertinent, by members of other departments.
Admission by permission only
A continuation of FINE 490. Admission by permission only
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.