FINE 352The Cinema of Science Fiction
- Faculty
- Arts
- Last listed
- 1994–95
No longer offered. It’s in Waterloo’s scanned calendars from 1984–85 to 1994–95 (before that, 1969–70 to 1973–74 used the number for G Music of the twentieth century DJ Studies in the Contemporary Cinema 340*J Fellini); the 1995–96 to 2023–24 calendars are on ucalendar.
A chronological survey of one of the most intriguing of film genres. Discussion of its aesthetic, philosophical and cinematic aspects. Film screenings will present major international works in this genre (Godard, Kubrick, Lang, Marker, Siegel, Tarkovsky, Truffaut and other directors). Regular film screenings.
As printed in the 1984–85 to 1994–95 calendars, read by OCR; the scanned page is the original. Later calendars (1995–96 on) aren’t on uwloo.
Discussed on r/uwaterloo
One post or comment in 1 thread mentions FINE 352, May 2011 to December 2024. Quoted word for word, newest first; each reply sits under the post and the comment that started its branch. Search r/uwaterloo for newer posts.
Spring 2011
IAmA: 3rd year CS (non-coop) student. AMA. 3 points, 35 comments
“I noticed a lot of questions from prospective students and I thought I'd make myself available for answering some to help you guys out with your choices. …”
u/ThomasPie: “Which year did you find harder/higher workload? Are there any really difficult specific concepts that you wish you had read up on before going into either year? …”
u/therave39: “… For my electives, I took Cinema of Science Fiction (FINE 352) and absolutely loved it, as well as Cybernetics and Society (STV 205) which was interesting but lecture was the most boring. …”
Check it elsewhere
- Undergraduate Calendar, 1995–96If it ran past 1994–95, on ucalendar
- Course outlinesSyllabi from past terms (UW login)
- UW FlowStudent ratings and reviews
- WClassesPast sections back to 2004, and who taught them
In the scanned calendars
How it read in each calendar from 1969–70 to 1994–95, newest first. The text is OCR of the scanned pages; years whose wording matches are shown once, from the clearest scan. Each year links to its page on uwloo and to that page of the scanned PDF.
1984–85 to 1994–95 11 calendars
A chronological survey of one of the most intriguing of film genres. Discussion of its aesthetic, philosophical and cinematic aspects. Film screenings will present major international works in this genre (Godard, Kubrick, Lang, Marker, Siegel, Tarkovsky, Truffaut and other directors). Regular film screenings.
Not in the 1974–75 to 1983–84 calendars.
1969–70 to 1973–74 3 calendars
Another title: G Music of the twentieth century DJ Studies in the Contemporary Cinema 340*J Fellini, probably a different course under the same number (or a misread scan).
Same as above. Prerequisite: 150*G or consent of the instructor.
From its earliest beginnings to 1750.
From 1750 to the present.
Study of choral and ensemble music of all styles, sacred and secular, from the Middle Ages to the present. Laboratory sessions will consist of actual singing of choral works, leading to public performance. Prerequisite 150/151 G or consent of instructor.
Countries to be discussed: British Isles, France, Germany, the Balkans and Eastern Europe, including the Ukraine and Russia; Canada and the USA through Library of Congress record albums, Fo/kways and other records, field recordings from Bulgaria, Yugoslavia, Czechoslovakia, Greece, Hungary, Rumania.
An interdisciplinary course intended for students interested in English, Music, Drama and Speech. The focus of the seminar is centered in the dramatic and musical productions at Stratford Festival theatres plus performances at the Shaw Festival Theatre at Niagara-on-the Lake and selected productions at Toronto and London, Ontario. Offered Summer only. An introductory course in Music, Drama, or Speech, or Prerequisite: consent of instructor.
Continuation of Fine Arts 300*G
The development of cantata, oratorio, mass and opera, concerto and symphony in the compositions of Bach, Haydn, Mozart, and Beethoven.
A study of the compositions of Wagner, Chopin, Schumann, Schubert, Wolf, and others. Particular attention is placed on the affinity between music and literature.
A study of representative musical compositions of the twentieth century and their relationship to social, literary and political movements. Prerequisites: Music 150*G and 151*G, or consent of the instructor.
The following courses are administered by St. Jerome’s College.
These courses will not be offered by St. Jerome’s College during the academic year 1971/72.
Through film viewing and seminars, a close investigation of the work of three important European directors of the post-war period: Michaelangelo Antonioni, Ingmar Bergman, and Jean-Luc Godard. Film sessions and lecture-discussions. Prerequisite: Fine Arts 140*/141* (Film 100) or the instructor’s consent.
A Study in detail of the director’s work from Luci del Varieta to Satyricon, including his apprenticeship in neorealismo and his work in episodic films. Four hours weekly. Prerequisites: Film 100, Fine Arts 140*/141*, 2403, or the consent of the instructor.
78 Fine Arts