FINE 350French Film After 1945
- Faculty
- Arts
- Last listed
- 1994–95
No longer offered. It’s in Waterloo’s scanned calendars from 1983–84 to 1994–95; the 1995–96 to 2023–24 calendars are on ucalendar.
A study of major achievements of the French cinema after World War II. Discussion and comparison of the two main creative impulses of the period: the Academic tradition of the 40's and 50's, and the rebellious nouvelle vague of the 60's. (Bresson, Carné, Ophils, Renoir, Chabrol, Godard, Malle, Truffaut, Resnais, and others.) Regular film screenings.
As printed in the 1983–84 to 1994–95 calendars, read by OCR; the scanned page is the original. Later calendars (1995–96 on) aren’t on uwloo.
Check it elsewhere
- Undergraduate Calendar, 1995–96If it ran past 1994–95, on ucalendar
- Course outlinesSyllabi from past terms (UW login)
- UW FlowStudent ratings and reviews
- WClassesPast sections back to 2004, and who taught them
In the scanned calendars
How it read in each calendar from 1983–84 to 1994–95, newest first. The text is OCR of the scanned pages; years whose wording matches are shown once, from the clearest scan. Each year links to its page on uwloo and to that page of the scanned PDF.
1983–84 to 1994–95 12 calendars
A study of major achievements of the French cinema after World War II. Discussion and comparison of the two main creative impulses of the period: the Academic tradition of the 40's and 50's, and the rebellious nouvelle vague of the 60's. (Bresson, Carné, Ophils, Renoir, Chabrol, Godard, Malle, Truffaut, Resnais, and others.) Regular film screenings.
- 1983–84 PDF p. 327
- 1984–85* PDF p. 327
- 1985–86 PDF p. 337
- 1986–87* PDF p. 342
- 1987–88 PDF p. 355
- 1988–89 PDF p. 353
- 1989–90 PDF p. 372
- 1990–91 PDF p. 377
- 1991–92 PDF p. 387
- 1992–93 PDF p. 381
- 1993–94 PDF p. 383
- 1994–95 PDF p. 384
* Listed that year without a description, or as not offered.