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Music (MUSIC)

43 courses in the 1984–85 Undergraduate Calendar, read from the scanned original. The text comes from OCR, so check the scanned page before relying on a detail.

Notes

Faculty listed in 1984–85

Assistant Professor, Chairman , L. Enns, ARCT (Toronto), BSM (CMBC), 8Mus (Wilfrid Laurier), MMus, PhD

(Northwestern)

Associate Professors

Faculty listed in 1984–85

H. Martens, ARCT (Toronto), LRSM, BA, MA (Minnesota), PhD (Columbia)

W.R. Maust 8S (EMC), BMus (Peabody Conservatory), MMus, PhD (indiana)

Faculty listed in 1984–85

Lecturer K. Hull, ARCT (Toronto), BA (Waterloo), BMus, MMus (Western Ontario)

Part-time Lecturers

N. Browne, BA (Alberta), MMS (Kansas)

D. Harrison, BIS (Waterloo)

G. Holmes, BSc (Columbia)

W. Janzen, BMus (Manitoba), MMus (Wisconsin) .

M. Jarrett

C. Johnston, BMus (Queen's), BEd (Western Ontario), MA (Toronto)

A. Martin, ARCT, BMus (Toronto), MMus (Eastman)

Studio Instructors

Janet Auger, BMus (Toronto); Double Bass

Nina Brickman, BMus (Manhattan School of Music, N.Y.); French Horn

Ronald Brown, 8M (New England Conservatory, Boston); Percussion

Cedric Coleman, BM, MM (New England Conservatory, Boston); Bassoon

Gisela Depkat; Cello

Bruce French, Classical Guitar

Kenneth Hull, ARCT (Toronto), BA (Waterloo), BMus, MMus (Western Ontario); Piano

Thomas Kay, 8M (Boston); Flute

Lilian Kilianski, BMus (Wilfrid Laurier), Dip in Opera Perf (Toronto); Voice

Eugene Laskiewicz; BMus (Queen's), BEd, MMus (Toronto); Accordian

Peter Maness; Trombone

James Mason, BM (Shenendoah Conservatory), MM (Catholic U., Washington); Oboe

Jane Noyes; Tuba

Victor Sawa, BM (McGill), MM (New England Conservatory, Boston): Clarinet

John Tickner; Trumpet

Dianne Werner, BMus (Toronto), Art Dip (Western Ontario); Piano

Course Descriptions

Courses not offered ih the current academic year are listed at the end of this section.

Introductory Note

Students should consult their faculty advisor regarding how term courses with credit weights other than 0.5 are counted for degree credit in their program.

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MUSIC 100 The Basics of MusicF,W,S 3C 0.5

An introduction to music terminology, techniques and styles, through lectures and listening, with examples from ail eras of music history.

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MUSIC 101 Music EnsembleF,W,S 2b 0.25

The study of selected music literature through rehearsals and performance in one the Music Department's ensembies: Choir, Concert Band, Stage Band, Orchestra. Regular attendance at rehearsals and performances is required. Offered on a credit/fail basis.

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MUSIC 102 Music EnsembleF,W,S 2L 0.25

(See MUSIC 101 for course description.)

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MUSIC 111 Fundamentals of Music TheoryF,W,S 3C,1L. 0.5

An introduction to the primary skills of music practice emphasizing the reading and writing of musical notation. Students will learn elementary keyboard, listening, and sight-singing skills. For students with minimal musical background. Does not fulfill music major or minor requirements.

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MUSIC 125 Popular Music and CultureF 3C 0.5

~ An examination of the popular music

world and the interplay between rock, folk, jazz and gospel idioms and classical music. The social, commercial and technological elements of popular music are considered.

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MUSIC 150 Introduction to Music 1F 3C 0.5

An introduction to music from early

Christian chant to Beethoven through listening, lectures, discussion and analysis.

Course Descriptions Music

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MUSIC 151 Introduction to Music 2W 3C 0.5

An introduction to the music of the 19th and 20th centuries through listening, lectures, discussion and analysis. Compositions include symphonies, concertos, chamber music, operas, electronic and computer music.

Prereq: MUSIC 150 or consent of instructor

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MUSIC 201 Music EnsembleF,W,S 2L 0.25

(See MUSIC 101 for course description.)

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MUSIC 202 Music EnsembleF,W,S 2L 0.25

(See MUSIC 101 for course description.)

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MUSIC 241 Principles of Music TherapyS 3C 0.5

An introduction to the history, theory, and practice of music in therapy. Emphasis on the function of music in personal development and the therapeutic application of music for the physically and mentally handicapped, and the socially maladjusted.

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MUSIC 250 Music Theory 1 (Medieval and Renaissance)F,S 3C,1L 0.5

The study of scales, melody, two-part counterpoint, and basic harmonic concepts emphasizing the Middle Ages and Renaissance. Ear-training and sightsinging lab sessions will cover diatonic melodic and simple two-part exercises. Prereq: A basic knowledge of scales, triads, and musical notations

Scanned page 383MUSIC 250 today

MUSIC 251 Music Theory 2 (Baroque and Classical)W 3C,iL 0.5

The study of four-part homophonic and contrapuntal music, of diatonic and simple chromatic harmonies, and of elementary forms, emphasizing Baroque and Classical music. Ear-training and sight-singing lab sessions will cover fourpart diatonic exercises.

Prereq: MUSIC 250 or permission of the instructor .

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MUSIC 265 Piano LiteratureW 3C 0.5

A study of the music written for solo piano from the 17th century to the present..

Prereq: MUSIC 100 or MUSIC 150/151 or consent of the instructor

Music

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MUSIC 266 Music Studio Private music studio in Voice, Piano, Organ, Classical Guitar and orchestralF,W,S std 0.5

instruments. This course is availabie only to Music majors and minors. Prereq: Audition with Music Faculty Studio Fee

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MUSIC 267 Music StudioF,W,S std 0.5

(See MUSIC 266 for course description.) Prereq: MUSIC 266 and consent of Music Faculty Studio Fee.

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MUSIC 273 Traditional Folk MusicF,W,S 3C 0.5

A delineation of the characteristic motifs in folk music as found in Great Britain, Canada, the United States and Australia. Various folk instruments will be introduced.

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MUSIC 274 Introduction to JazzW 3C 0.5

A survey of the development of jazz schools and individual styles as well as a study of melodic, harmonic, and rhythmic improvization. Styles will be demonstrated through recordings and live performance.

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MUSIC 275 Computer Applications in MusicW 3C 0.5

A survey of computer applications in music history, analysis and composition. Concepts from computer science and specific techniques and implementations of these various music activities are examined. Theoretical study is coupled with practical hands on experience. Prereq: MUSIC 100 or 150/151 or consent of instructor

Scanned page 384MUSIC 275 today

MUSIC 301 Music EnsembleF,W,S 2L 0.25

(See MUSIC 101 for course description.)

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MUSIC 302 Music EnsembleF,W,S 2L 0.25

(See MUSIC 101 for course description.)

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MUSIC 353 Music of the Romantic Period (19th Century)F 3C 0.5

The study of the music of the 19th century by means of lectures, seminars, reading, and listening to recordings and live performances. Representative composers include Beethoven, Schubert, Chopin, Tchaikowsky, Verdi, and Wagner.

Prereq: MUSIC 150/151 or MUSIC 100, or consent of instructor

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MUSIC 354 Music of the Twentieth CenturyW 3C 0.5

The study of the various genres of music of the 20th century in the context of the various artistic, political and social movements. The course will include seminars, lectures, listening, and analysis.

Prereq: MUSIC 150/151 or MUSIC 100 or consent of instructor

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MUSIC 360 Music of the ChurchF 3C 0.5

A study of the music and the philosophies of music of the Christian church from the beginning to the present. Singing and/or listening to the music will be an integral part of the course.

Prereq: MUSIC 150/151 or consent of instructor ‘

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MUSIC 361 Music of the ChurchW 3C 0.5

Continuation of MUSIC 360. Prereq: MUSIC 360 or consent of instructor

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MUSIC 366 Music StudioF,W,S std 0.5

(See MUSIC 266 for course description.) Prereq: MUSIC 267 and consent of Music Faculty Studio Fee.

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MUSIC 367 Music StudioF,W,S 3C,1L 0.5

(See MUSIC 266 for course description.) Prereq: MUSIC 366 and consent of Music Faculty Studio Fee.

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MUSIC 370 Music Theory 3 (18th Century)F 3C,1L 0.5

The study of the harmonic, melodic and

formal aspects of 19th century music.

Ear-training and sight-singing lab

sessions will cover chromatic chord

progressions and modulatory melodies. Prereq: MUSIC 250/251 or consent of

instructor

Scanned page 384MUSIC 370 today

MUSIC 371 Music Theory 4 (20th Century)W 3C,1L 0.5

The study of the compositional aspects of 20th century music, including extended tonality, atonality, 12-tone writing, neo-classical idioms, and contemporary compositional procedures. Lab sessions will cover non-tonal melodic reading and complex chord structures.

Prereq: MUSIC 370

16.111

Scanned page 384MUSIC 371 today

MUSIC 372 Choral Music, Repertoire andF 3C 0.5

Techniques 1

A study of conducting techniques.

rehearsal procedures, and score

analysis. . Prereq: MUSIC 150/151 and 250/251

or consent of instructor

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MUSIC 373 Choral Music, Repertoire andW 3C 0.5

Techniques 2

Continuation of MUSIC 372. Prereq: As in MUSIC 372

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MUSIC 380 Directed Study in MusicF,W 0.5/0.5

Prereq: Advanced standing in music and consent of instructor

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MUSIC 390 Special Topics in Music 1F 3C 0.5

Study of a limited field under tutorial guidance.

Prereq: MUSIC 100 or MUSIC 150/151 and consent of instructor

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MUSIC 391 Special Topics in Music 2W 3C 0.5

Study of a limited field under tutorial guidance.

Prereq: MUSIC 100 or MUSIC 150/151 and consent of instructor

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MUSIC 466 Music StudioF,W std 0.5

(See MUSIC 266 for course description.) Prereq: MUSIC 367 and consent of Music Faculty Studio Fee.

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MUSIC 467 Music StudioF,W std 0.5

A continuation of Music Studio. A recital is required.

Prereq: MUSIC 466 and consent of Music Faculty

Studio Fee.

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MUSIC 490 Senior Honours SeminarF,W 0.5/0.5

A research seminar required of all honours students. The topics will vary trom year to year depending on the interests of the students and instructor(s).

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MUSIC 253 Medieval and Renaissance Music

Not offered in 1984–85.

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MUSIC 254 Baroque and Classical Music

Not offered in 1984–85.

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MUSIC 264 Vocal Literature

Not offered in 1984–85.

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MUSIC 280 Canadian Music

Not offered in 1984–85.

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MUSIC 355 Music and Culture in Vienna

Not offered in 1984–85.

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MUSIC 374 Composition Seminar

Not offered in 1984–85.

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MUSIC 375 Electronic Music

Not offered in 1984–85.

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