MUSIC 100G The Basics of MusicW,S 3C 0.5
An introduction to music terminology, techniques and styles, through lectures and listening, with examples from all eras of music history.
43 courses in the 1982–83 Undergraduate Calendar, read from the scanned original. The text comes from OCR, so check the scanned page before relying on a detail.
turbomachines, compressible flow. Energy transfer in radial and axial turbomachines, performance characteristics, losses and efficiencies. Biade and cascade design, threedimensional effects.
MES 565 W 3C 05
Gas Dynamics
Basic laws of compressible fluid flow. Wave propagation in compressible fluids, isentropic flow of a perfect gas, normal! and oblique shock waves.
Prandt!-Meyer flow. Flow in ducts and
over bodies, flow with friction (Fanno) and heat transfer (Rayleigh), imperfect gas effects, measurement of compressible flows, use of formulae, charts and tables, introduction to the method of characteristics.
Listed without a description.
An introduction to music terminology, techniques and styles, through lectures and listening, with examples from all eras of music history.
The study of selected music literature through rehearsals and performance in one of the Music Department's ensembles: Choir, Concert Band, Stage
.
Band, Orchestra. Regular attendance at -
rehearsals and performances is required. Offered on a pass/fail basis.
(See MUSIC 101G for course description.)
An introduction to the primary skills of music practice emphasizing the reading and writing of musical notation. Students will learn elementary . keyboard, tistening, and sight-singing skills. For students with minimal musical background. Does not fulfill music major or minor requirements.
An examination of the popular music world and the interplay between rock, folk, jazz and gospel idioms and classical music, The social, commercial and technological elements of popular music are considered.
Course Descriptions 367
Music
An introduction to music from early Christian chant to Beethoven through listening, lectures, discussion and . analysis.
An introduction to the music of the 19th and 20th centuries through listening, lectures, discussion and analysis. Compositions include symphonies, concertos, chamber music, operas, electronic, and computer music. Prereg: MUSIC 150G or consent of instructor.
(See Music 101G for course description)
(See Music 101G for course description)
The study of scales, melody, two-part counterpoint, and basic harmonic concepts emphasizing the Middle Ages and Renaissance. Ear-training and sight-singing lab sessions will cover diatonic melodic and simple two-part exercises.
Prereq: A basic knowledge of scales, triads, and musical notation.
The study of four-part homophonic and contrapuntal music, of diatonic and simple chromatic harmonies,.and of elementary forms, emphasizing Baroque and Classical music. Eartraining and sight-singing tab sessions will cover four-part diatonic exercises. Prereq: MUSIC 250G or permission of the instructor.
Not offered 1982-83.
Not offered. 1982-83.
A study of the music written for solo voice from the seventeenth century to the present.
Prereq: MUSIC 100G or MUSIC 150G/ 151G or consent of instructor.
Not offered 1982-83.
Private music studio in Voice, Piano, Organ, Classical Guitar and orchestral instruments. This course is available only to Music majors and minors. Prereq: Audition with Music Faculty. Studio fee.
(See MUSIC 266G for course description.)
Prereq: MUSIC 266G and consent of Music Faculty. Studio Fee.
A delineation of the characteristic motifs in folk music as found in Great Britain, Canada, the United States and Australia. Various folk instruments will be introduced.
A survey of the development of jazz
‘schools and individual styles as well as
a study of melodic, harmonic, and rhythmic improvization. Styles will be demonstrated through recordings and live performance.
A survey of computer applications in music history, analysis and composition. Cancepts from computer science and specific techniques and implementations of these various music activities are examined. Theoretical study is coupled with practical handson experience.
Prereq: MUSIC 100G or 150G/151G or consent of instructor.
Not offered 1982-83.
(See MUSIC 101G for course description.)
(See Music 101G for course description.)
The study of the music of the 19th century by means of lectures, seminars, reading, and listening to recordings and live performances. Representative composers include Beethoven, Schubert, Chopin, Tchaikowsky, Verdi, and Wagner.
Prereq: MUSIC 150G/151G, or MUSIC 100G, or consent af instructor.
The study of the various genres of music of the 20th century in the context of the various artistic, political, and social movements. The course will include seminars, lectures, listening, and analysis.
Prereq: MUSIC 150G/151G or MUSIC 100G or consent of instructor.
A Spring seminar to be taught in Vienna and environs. The course includes daily tectures and attendance of music performances during the Vienna Music Festival, as well as tours of places relating to the culture of Vienna. Prereg; MUSIC 150G/151G or MUSIC 100G or consent of instructor.
Not offered 1982-83.
Not offered 1982-83.
(See MUSIC 266G for course description.)
Prereq: MUSIC 267G and consent of Music Faculty. Studio fee.
(See MUSIC 266G for course description.)
Prereq: MUSIC 366G and consent of Music Faculty. Studio Fee.
Course Descriptions
The study of the harmonic, melodic, and formal aspects of 19th century music. Ear-training and sight-singing lab sessions will cover chromatic chord progressions and modulatory melodies. Preraqg: MUSIC 250G/251G or consent of instructor.
The study of the compositional aspects of 20th century music, including extended tonality, atonality, 12-tone writing, neo-classical idioms, and contemporary compasitional procedures. Lab sessions will cover non-tonal metodic reading and complex chord structures.
Prereq: MUSIC 370G.
A study of conducting techniques, rehearsal procedures, and score analysis.
Prereq: MUSIC 150G/151G and 250G/251G or consent of instructor.
Continuation of MUSIC 372G. Prereq: As in MUSIC 372G.
Creative and critical potential is developed through supervised practice, tutorials, and seminars. Free composition, style emulation, arranging and orchestration will be dealt with. Prereq: MUSIC 251G or consent of instructor.
The study of electronic music through
composition, analysis, listening, history, techniques and technology. Practical electronic studio experience is included.
Prereq: MUSIC 371G or cansent of instructor.
Prereq: Advanced standing in music and consent of instructor.
- Study of a limited field under tutorial
guidance. Prereq: MUSIC 100G or MUSIC 150G/151G and consent of instructor.
Not offered 1982-83.
(See MUSIC 266G for course description.)
Prereq: MUSIC 367G and consernt of
Music Faculty. Studio Fee.
A continuation of Music Studio. A recital is required.
Prereq: MUSIC 466G and consent of Music Faculty. Studio Fee.
A research seminar required of all honours students. The topics will vary from year to year depending on the interests of the students and instructor(s).
School of Optometry
Professor, Director of School W.S. Long, BA (Toronto), OD (College of Optometry of Ontario}
Professor, Associate Director J.G. Sivak, LScO (Montreal), MS (indiana), PhD (Cornell)
Professors .
W.K. Adrian, Dipl-ing, Dr-Ing, (TH Darmstadt), Dr habil, ap! Professor (Karisruhe)
CW. Bobier, BA (Toranta), MSC (Ohio State), OD (College of Optometry of Ontario)
E.J. Fisher, BA, MA (Toronto), DS¢ (Pennsylvania College of Optometry)
W.M. Lyle, OD (Coflege of Optometry of Ontario), MS, PhD (Indiana)
R.D. Pellowe, OD (College of Optometry of Ontario) ‘
A.R. Remole, BFA (Manitoba), OD (College of Optometry of Ontario), MS, PhD (Indiana)
G.C. Woo, OD (College of Optometry of Ontario), MS, PhD (indiana) LOSc (Melbourne)
M.E. Woodruff, OD (College of Optometry of Ontario), PhD (indiana)
Associate Professors
R.D. Beauchamp, BA (McMaster), MA PhD (Brown)
M.G.E. Callender, OD (College of Optometry of Ontario), BSc (Sir George Williams), MSc (Waterloo)
A.P. Cullen, DipOpt (City Univ. London), MSc (Saskatchewan), OD
(Penn College of Optom), PhD (City Univ. London), DCLP
T.D. Williams, OD (College of Optometry of Ontario), MS, PhD (Indiana)
Assistant Professors J.V. Lovasik, BSc (McGill), OD, MSc, . PhD (Waterloo)
Adjunct Professor
Baker, OD (College of Optometry of Ontario)
G.W. Wyszecki, Dipl ing, Or ing (Tech.
Univ. Berlin).
Adjunct Lecturers
E.L. Buchner, OD (College of Optometry of Ontario)
E.E. Daniel, BA, MA (Johns Hopkins).
PhD (Utah)
R.G.R. Lawrence, Q.C.
Lecturers
O.J. Egan, BS (St. Johns), BS, OD (Pennsylvania College of Optometry)
S. Hoffman, MD, DPH (Toronto)
B. Robinson, OD (Waterloo) MPH (Washington)
M.J. Samek, OD (College of Optometry of Ontario), MSc (Waterloo)
Clinic Supervisors - Full-time (1981-82)
D.B. Buck, OD (College of Optometry of Ontario), Chief of Clinical Services
C.C. Dalziel, OD (Waterloo)
K. Hadley, OD (Waterloo)
D. Lutzi, OD (Waterloo)
R. Pace, OD (Waterloo)
§.D. Riome, OD (LA College of Optometry)
K.M. Robinson, OD (College of
Optometry of Ontario), MSc
(Waterloo)
L. Sorbara, OD (Waterloo)
J.G. Strong, OD (College of Optometry of Ontario)
R. Wiggins, BS, OD (indiana)
Course Descriptions 369
Optometry
Clinic Supervisors - Part-time (1981-82)
W.B. Andrews, OD (Waterloo)
W.R. Andrews, OD (College of Optometry of Ontario)
J.G. Attridge, OD (College of Optometry of Ontario).
D. Bock, OD (Waterloo)
R.R. Bock, OD (College of Optometry of Ontario)
M. Boermans, OD (Waterloo)
J.A. Brisson, OD (Waterloo)
R.R. Chen, OD (College of Optometry of Ontario)
D.S. Craig-Paul, OD (Waterloo)
G.M. Curik, OD (Waterloo)
P.A. Devenny, OD (Waterloo)
A.H. Dick, OD (Waterloo)
T.A. Dietrich, OD (Waterloo)
M.H. Falke, OD (Waterloo)
C.C. Foster, OD (Waterloo)
P. Galvin, OD (Waterloo)
D. Hansen, OD (Waterloo)
D.A.K. Hayhoe, OD (Waterloo)
L. Hirano, OD (Waterloo)
G.L. Hollands, OD-( Waterloo)
D. Klein, OD (Waterloo)
H.B. Mayers, OD (Waterloo)
R.E. Miller, BSc (Toronto), OD (Waterloo)
D.A. Neff, OD (Waterloo)
J.M. Newman, OD (Waterloo)
J. Parks, OD (Waterloo)
R.R. Phillips, OD (Waterloo)
K. Pickard, OD (Waterloo)
R.L. Saari, OD (Waterloo)
P. Shaw, OD (Waterloo)
L. Sheldon, OD (Waterioo)
P. Sohier, OD (Waterloo)
D. Thornborrow, OD (Waterloo)
R. Watson, OD (College of Optometry of Ontario)
R.L. Wilson, OD (Waterloo)
M. Witer, OD (Waterloo)
M. Wolf, BSc, OD (Waterloo)
Clinic Residents (1981-82)
Y.J. Alloucherie, BASc, MA (Toronto), PhD (Maryland), OD (New Eng. College of Optometry)
G.Y. Mousa, MS, (AmerUnivBeirut}, PhD (Western Ontario), OD (New Eng. College of Optometry)
Course Descriptions
Students in other disciplines may register for Optometry courses only upon the approval of the Director of the School of Optometry.