50 courses in the 1993–94 Undergraduate Calendar, read from the scanned original. The text comes from OCR, so check the scanned page before relying on a detail.
The techniques, terminology, forms and styles of Western music through lectures and listening, as exemplified by great works from all eras of music history. Neither MUSIC 150 nor MUSIC 151 may be taken for credit if MUSIC 100 is taken for credit. However, MUSIC 150 and MUSIC 151 together may serve in lieu of MUSIC 100 as prerequisite for upper-level Music courses.
An introduction to the primary skills of music practice emphasizing the reading and writing of musical notation. Students will learn elementary keyboard, listening, and sight-singing skills. For students with minimal musical background. Does not fulfill Music major or minor requirements.
The study of selected music literature through rehearsals and performance in one of the Music Department's ensembles: University Choir, Chapel Choir, Chamber Choir, Chamber Ensembies, Stage Band. Regular attendance at rehearsals and performances is required. Offered on a creditfail basis.
For musical reasons, admission to any particular ensemble is at the discretion of the director.
(Formerly MUSIC 101)
See MUSIC 116 for course description. (Formerly MUSIC 102)
An examination of the styles, forms and development of 20th-century popular music. The social, commercial and technological aspects of popular music are considered.
(Formerly MUSIC 125)
See MUSIC 116 for course description. (Formerly MUSIC 201)
See MUSIC 116 for course description. (Formerly MUSIC 202)
A study of conducting techniques appropriate for song leading, choral rehearsal and public performance. The course will include score analysis and rehearsal procedures for music from a wide variety of historical styles.
Prereq: MUSIC 100 and 270/271 or consent of instructor
(Formerly MUSIC 372)
instruments. This course is available only to Music majors and minors. Prereq: Royal Conservatory Grade 8 level and audition with Music Faculty Studio Fee (Formerly MUSIC 266)
See MUSIC 226 for course description. Prereq: MUSIC 226 and consent of Music Faculty Studio Fee (Formerly MUSIC 267)
A survey of the development of jazz schools and individual styles as weil as a study of melodic, harmonic and rhythmic improvization. Styles will be demonstrated through recordings and live performance.
A survey of traditional music outside of North America, including Atrica, South America, the Far East, the South Pacific, the mid-East and Europe, with special emphasis on the role of music within the culture.
The study of music that flourished under courtly and church patronage from the early Christian Church to 1600. Gregorian chant, liturgical drama, mass, motet, secular songs and instrumental music are studied.
Prereq: MUSIC 100 or consent of instructor
The study of music of the Baroque and Classical eras from 1600 to 1800. A survey of major genres by Monteverdi, Schitz, Purcell, Bach, Handel, Haydn, Mozart and others.
Prereq: MUSIC 100 or consent of instructor
The study of the various genres of music of the 20th century in the context of the various artistic, political and social movements. The course will include seminars, lectures, listening, and analysis.
Prereq: MUSIC 100 or consent of instructor
(Formerly MUSIC 354)
A survey of the great symphonies from Haydn to Stravinsky, through lectures and listening. A portion of the course will be devoted to works being performed by the Kitchener-Waterloo Symphony Orchestra during the term.
Prereq: None, but MUSIC 100 is recommended. The ability to read music notation is not required.
(Formerly MUSIC 200)
The study of basic melodic, harmonic and voice leading concepts including an introduction to figured bass and functional harmony. Ear-training, sight-singing and keyboard lab sessions will be integrated with written and analytical work. Prereq: A basic knowledge of scales, triads, and music notation or MUSIC 111 (Formerly MUSIC 250)
The study of harmony, counterpoint and form of 18th- and early 19th-century music. Sight-singing, ear-training and keyboard lab sessions will be integrated with written and analytical work.
Prereq: MUSIC 270 or consent of instructor
(Formerly MUSIC 251)
Course Descriptions
A comprehensive survey of computer applications in the creation, production and study of music.
Prereq: MUSIC 100 or consent of instructor
Previous programming experience is recommended but not essential
See MUSIC 116 for course description. (Formerly MUSIC 301)
See MUSIC 116 for course description. (Formerly MUSIC 302)
See MUSIC 226 for course description. Prereq: MUSIC 227 and consent of Music Faculty Studio Fee (Formerly MUSIC 366)
See MUSIC 226 for course description. Prereq: MUSIC 326 and consent of Music Faculty Studio Fee (Formerly MUSIC 367)
A study of the role of women in music from antiquity to the present, emphasizing both “classical” and “popular” music within social, cultural settings of Western and Third World countries.
A Spring seminar to be taught in Vienna and environs. The course includes daily lectures and attendance of music performances during the Vienna Music Festival, as well as tours of places relating to the culture of Vienna.
Prereq: MUSIC 100 or consent of instructor
Offered Spring 1994
A study of the music written for solo voice
from the 17th century to the present. Prereq: MUSIC 100 or consent of
instructor ‘
16:101
The origins and development of the Christian hymn (including contemporary hymn styles) considered as theological, poetic, musical, cultural and spiritual expression, and the use of hymns ina variety of worship settings.
Prereq: MUSIC 100 or consent of instructor
The study of chromatic harmony as well
as melodic and formal aspects of 19th-
century music. Ear-training, sight-singing
and keyboard lab sessions will be
integrated with written and analytical work. Prereq: MUSIC 271 or consent of
instructor
A study of the compositional aspects of 20th-century music, including extended tonality, atonality, 12-tone writing, neoclassical idioms and contemporary compositional procedures. Lab sessions will cover non-tonai melodic reading and complex chord structures.
Prereq: MUSIC 370 or consent of instructor
The study of electroacoustic music and MIDI applications in sequencing and programming with synthesizers and computer. Composition, analysis and history of electroacoustical music, as well as practical studies experience, are included. Prereq: MUSIC 271 or consent of instructor
Creative and critical potential is developed through supervised practice, tutorials and seminars. Free composition, style emulation, arranging and orchestration will be dealt with.
Prereq: MUSIC 271 or consent of instructor
Prereq: Advanced standing in music and consem of instructor
Prereq: Advanced standing in music and consent of instructor
See MUSIC 226 for course description. Prereq: MUSIC 327 and consent of Music Faculty Studio Fee (Formerly MUSIC 466)
A continuation of Music Studio. A recital is required.
Prereq: MUSIC 426 and consent of Music Faculty
Studio Fee
(Formerly MUSIC 467)
MUSIC 490A4/B F.W.S 0.5/0.5
Senior Honours Seminar
A research seminar required of all honours students. The topics will vary from year to year depending on the interests of the students and instructor(s).
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.
Not offered in 1993–94.