DRAMA 101A Introduction to the Theatre 1F 3C 0.5
Introductory study of the theatre as a major art form. Selected plays as produced in their historical contexts. Contributions of the actor, designer and technician to theatrical production.
53 courses in the 1987–88 Undergraduate Calendar, read from the scanned original. The text comes from OCR, so check the scanned page before relying on a detail.
Introductory study of the theatre as a major art form. Selected plays as produced in their historical contexts. Contributions of the actor, designer and technician to theatrical production.
An extension of the studies described in 101A.
An introduction to acting. The class will be structured as a rehearsal, where the students will explore improvisation and text work, concentrating on the practical problems of an actor's experiences in creating a role.
Prereq/Coreq: DRAMA 101A or B Limited Enrolment
An extension of Drama 102. This course stresses development of the actor
“through scene study.
Prereq: DRAMA 101A, 102 and permission of the instructor. Limited enrolment
An extension of Drama 221. Prereq: DRAMA 221 and permission of the instructor
Theory and practice of public speaking. Course involves design and delivery of various kinds of speeches, and the development of organizational, vocal, listening and critical skills.
Complex Speech Situations. Principles and practice of formal and informat meetings, communication for group decision-making, interviewing and media relations.
Prereq: DRAMA 223
Theory and practice of building, painting, rigging and shifting scenery; construction of properties; familiarity with lighting instruments, sound equipment and their control systems. Students must spend a certain number of hours working on department productions.
Prereq: Permission of the instructor
An extension of the studies described in DRAMA 243.
Prereq: DRAMA 243
Dramatic Theory 1
The Greek and Roman periods. Cross-listed as CLAS 266
The Middles Ages, the Elizabethans and Jacobeans (excluding Shakespeare) and the Spanish Golden Age.
French neo-classicism, the Restoration period and sentimental drama.
The late 18th, 19th and early 20th centuries, romanticism and naturalism.
Dramatic literature of the 20th century.
A survey of the modern drama of Australia, New Zealand, and the drama, in English, of Africa and the West Indies.
Plays of film. This course will entail studying a play and then viewing it as a movie.
A study of theories of the modern stage, the emergence of the director and the principles of stage direction, with special reference to the work of Stanislavski and Brecht.
Prereq: DRAMA 101A, 101B, 102, at least one dramatic literature class and permission
A workshop course consisting of the preparation of one or more detailed production books. interpretation and analysis will be emphasized.
Prereq: DRAMA 261, two dramatic literature classes, and permission
Advanced study and analysis of plays in the process of production covering selected periods and types of playwriting. May inglude production casebook.
An extension of the studies described above in 301.
Production participation and the study of selected problems of theatrical production.
Prereq: Permission of the play director
See Drama 306.
Prereq: Permission of the play director
Advanced work in acting. Course involves individual and ensemble work in selections from specific plays with attention given to various periods and styles in
acting.
Prereq: DRAMA 221, DRAMA 222, and permission of the instructor. Usually restricted to Drama majors
An extension of the studies described in DRAMA 321.
Prereq: DRAMA 321 and permission of the instructor
A workshop course in voice for the actor, designed to increase vocal power, range, flexibility and variety in presenting the spoken word.
Prereq/Coreq: DRAMA 221
An extension of the studies described in DRAMA 326. Prereq: DRAMA 326
An introduction to the problems of designing for the theatre. Work for the course will include the preparation of drawings and models as well as practical experience in the theatre.
Prereq: DRAMA 244
An extension of the studies described in DRAMA 331, concentrating on the practicalities of set design.
Prereq: DRAMA 331
An introduction to the theory and practice of theatre lighting design through studio experience.
Prereq: DRAMA 244
Advanced studies in theatre lighting
design, including major production
experience. : Prereq: DRAMA 341
Advanced studies in the theory and practice of theatre technology, including an apprenticeship program.
Prereq: DRAMA 243 and 244
Course Descriptions 16:37 Drama and Theatre Arts
A continuation of the studies described in DRAMA 343. Prereq: DRAMA 343
An introduction to the problems and techniques of arts administration. Topics include: budgeting, program selection, fund raising, publicity and audience analysis.
An extension of the studies in DRAMA M8.
See ENGLISH 316. Cross-listed as ENGL 316
Cross-listed as GER 355
Cross-listed as RUSS 356
Work as an assistant director on a major production involving the writing of a production casebook.
Prereq: DRAMA 261 or 262, at least three dramatic literature classes and permission.
Students will be expected to form their
own production company, mount a short
play, and submit a detailed promptbook. Prereq: DRAMA 361 and at least four
dramatic literature classes.
16:38 Course Descriptions
Theatre History from Classical Greece to the Renaissance.
Theatre history from the Classical French and English Restoration periods to the present era.
Participation in stage production for advanced students.
Prereq: Permission of the play director and DRAMA 101A and B
Participation in stage production for advanced students.
Prereq: Permission of play director and DRAMA 101A and B
Study and practice of the criticism of
theatre production and performance. This course will not normally be taken
until the student s final year.
An intensive workshop designed to develop performance skills. Special attention given to individual acting problems.
Prereq: DRAMA 321, 322, and permission of the instructor
An extension of DRAMA 421. Prereq: DRAMA 421 and permission of the instructor
Listed without a description.
Listed without a description.
Open only to drama honours students in their fourth year. It is designed to give the student an opportunity to complete a comprehensive presentation in his or her major area of concentration.
A letter grade for DRAMA 4994 will be submitted only after the completion of DRAMA 4998.
COURSES NOT OFFERED 1987-88 Consult with Drama Undergraduate
Officer to determine offerings for 1987-88.
Department of Earth’ Sciences
Associate Professor, Chairman of the
Department
J.-P. Greenhouse, 8Sc, MSc (British Columbia), PhD (California, San Diego) Recipient of the Distinguished Teacher Award
Professors
J.A. Cherry, BE (Saskatchewan), MS (California, Berkeley), PhD (illinois), PEng
M.B. Dusseault,' BSc, MSc, PhD (Alberta), PEng
R.N. Farvolden, MSc (Alberta), PhD (iif nois)
E.0. Frind, BASc, MASc, PhD (Toronto), PEng
P. Fritz, Dip! Geol, Dr. rer. nat. (Stuttgart)
LL. Gibson, BSc, PhD (imperial College, London)
R.W. Gillham, BSA (Toronto), MSc (Guelph), PhD (Minois)
P.F. Karrow, BSc (Queen's), PAD (illinois)
A.V. Morgan, BSc (Leicester), MSc (Calgary), PhD (Birmingham)
Associate Professors
E.C. Appleyard, BSc (Western Ontario), MSc (Queen's), PhD (Cambridge)
J.F. Barker, BSc, MSc (McMaster), PhD (Waterloo)
J.-M. Konrad,’ BS, Dipl.ing. (Strasbourg), MSc (Laval), PhD (Alberta), PEng
D.E. Lawson, BSc, MSc (New Bruns wick,), PhD (Reading)
JA. Legault, BSc, MSc (Ottawa), PhD (Oklahoma)
E.J. Reardon, BA (St. Francis Xavier), PhD (Pennsyivania State)
R.G. Roberts, BA (Cambridge), MSc, PhD (McGill)
Assistant Professors
M. Coniglio, BSc (McGill), MSc (Manitoba), PhD (Memorial)
S.K. Frape, BSc, MSc, PhD (Queen's)
D. Nobes,? 8Sc, MSc, PhD (Toronto)
Research Professor
J.A. Franklin,’ BSc (Eng)(London}, MSc, D.LC., PhD (Imperial College, London), PEng.
Research Assistant Professors
E.A. Sudicky, BSc, MSc, PhD (Waterloo), PEng
B.G. Warner, BSc, MSc (Waterloo), PhD (Simon Fraser)
Adjunct Professors
MLE. Brookfield, 8Sc (Edinburgh), PhD (Reading)
R.M. Brown, BSc (Bishops), PhD (McGill)
L.D. Delorme, BSc (Saskatchewan), MSc (Alberta), PhD (Saskatchewan)
M. Gascoyne, BA, MSc (Lancaster), PhD (McMaster)
D.R. Lee, BSc, MSc (North Dakota), PhD (Virginia Polytechnical institute)
R.W. Macqueen, BA, MA (Toronto), PhD (Princeton)
J.O. Nriagu, BSc (Ibadan), MSc (Wisconsin), PhD (Toronto)
F.A. Prantl, BSc, MSc, PhD (Insbruck)
H.C. Saunderson, BA (Queen's Belfast).
MA, PhD (Toronto)
L.R. Snowdon, 8Sce (Calgary), PhD (Houston)
G. van der Kamp, 8Sc, MSc (British Columbia), PhD (Amsterdam)
O. White, BSc, MASc (Toronto), PhD (Ir nois), PEng
Senior Demonstrators J.L. Lang, BSc, MBA (Queen's) K. LaHay, BSc, MSc (Guelph)
Faculty Members holding cross appointments from Earth Sciences to: Civil Engineering
Faculty Member holding joint appoint: : ment with Physics
Introductory Notes
1, EARTH 121/122 is normally regarded as a prerequisite for any Major program in Earth Sciences.
2. Second, third and fourth year courses may invalve field trips in the fall. All those enrolled in Honours Earth Sciences programs are required to take a two-week field camip at the end of the third year (EARTH 390). The cost will range from $50-$100 per student.
3. Regular Earth Sciences students are encouraged to seek geological employment in the summers.