46 courses in the 1981–82 Undergraduate Calendar, read from the scanned original. The text comes from OCR, so check the scanned page before relying on a detail.
Notes
Faculty listed in 1981–82
Associate Professor, Chairman W. R. Chadwick, BA, MA (Toronto), PhD (London)
Assistant Professor - M..van Dijk, BA, MA (Wellington), PhD (Toronto)
Lecturers J.M. Kelman, BA (Waterloo)
Course Descriptions
Note
Laboratory sessions and rehearsal periods may be added to any course at the discretion of th instructor. '
Introductory study of the theatre as a major art form. Selected plays as produced in the historical contexts (from the Greeks to Shakespeare). Contributions of the actor, designer and technician to theatrical production.
An introduction to acting. The class will be structured as.a rehearsal, where the students will explore improvisation and text work, concentrating on the practical problems of an actor’s experiences in creating a role.
Limited Enrolment
Prereq: Drama 101A and B and permission of the department.
An introduction to the problems of designing for the theatre. Work for the course will include the preparation of drawings and models as well as practical experience in the theatre.
An extension of the studies described in Drama 231, Soncentrating on the practicalities of set design. Prereq: Drama 101A and B and Drama 243 or consent of the instructor.
DRAMA 243Introduction to Technical Production 1F 10,2L 0.5
Theory and practice of building, painting, rigging and
shifting scenery; construction of properties; familiarity with lighting instruments, sound equipment and their control systems. Students must spend a certain number of hours working on department productions.
DRAMA 251Survey of Dramatic Literature and Dramatic Theory 1F 3C 0.5
(cross-listed with C Civ 266)
The Greek and Roman periods.
Note
The above course and the next four courses divide the dramatic literature and theory of the Western world into five historical periods. Each course will cover about fifteen plays and the major works of dramatic theory of the period.
Analysis of production and performance problems from the director's point of view. Study in the principles of stage direction. Special projects in directing, including the production of a workshop production.
Prereq: Drama 101, one dramatic literature class and permission.
Consideration of problems involved in the directing of a production. Each student in the course will be required to form his or her own production company and mount a play.
Prereq: Drama 261, two dramatic literature classes and permission.
Advanced work in acting. Course involves individual and ensemble work in selections from specific plays with attention given to various periods and styles in acting.
A study of plays by such dramatists as Merrill Denison, Robertson Davies, Gratien Gelinas (in translation), James Reaney, John Coulter, George Ryga and Michael Tremblay (in translation). Background for 20th-century drama will be provided in lectures.”
Open only to drama honours students in their fourth year. It is designed to give the student an opportunity to compiete a comprehensive presentation in his or her major area of concentration. .