23 courses in the 1977–78 Undergraduate Calendar, read from the scanned original. The text comes from OCR, so check the scanned page before relying on a detail.
Examination by means of listening and analysis, of styles
of music ranging from early Christian Chant to electronic
and computer music. Compositions to be studied include major forms such as sonata, symphony, opera, mass, etc., as well as smaller forms.
Continuation of 150G.
Prereq: Music 150G or consent of instructor
Choral literature from the Renaissance period to the present will be introduced through singing reading sessions, discussion and performance. Repertoir will vary from year to year and will be suited to the existing choral ensemble.
Prereq: Permission of the instructor
Continuation of 160G
Prereq: Music 160G or consent of instructor
Practical performance study with approved instructor and examination administered by Music Faculty. A half-course credit normally requires two terms of private study, but may be achieved in one term if supplemented with approved related studies in music literature. Prereq: Consent of Music Faculty
The study of music, past and present, to discover how tones and melodies are combined to create harmony and counterpoint, and how larger works are organized. Prereq: Grade 2 Theory (Toronto Conservatory) or consent of the instructor
The study of music, past and present, to discover how tones and melodies are combined to create harmony and counterpoint, and how larger works are organized. Prereq: Music 250G
Course Descriptions , 301 Fine Arts
Music from around 1700 to 1827, the Baroque and Classical Periods of Music. Major composers studied are Bach, Haydn, Mozart, and Beethoven. Listening to music is an integral part of the course.
Prereq: Music 150G/151G
Included among the many musical compositions studied are operas of Wagner, Verdi and Mussorgsky, the lieder of Schubert, Schumann and Wolf, symphonic of Brahms, Mendelssohn, Tschaikowsky, and piano music by Chopin.
Prereq: Music 150G/151G
Choral Literature from the Renaissance period to the present will be introduced through singing reading sessions, discussion and performance. Repertoire will vary from year to year and will be suited to the existing choral ensemble.
Prereq: Music 160G/161G or permission of instructor
Continuation of Music 260G
Prereq: Music 260G or consent of instructor
The study of the music written from the seventeenth century to the present for a variety of instrumental groups, such as chamber music, symphony, concertos. Prereq: Music 150G/151G or consent of instructor
See Music 166G for course description.
Prereq: Music 166G and consent of Music Faculty
Countries to be discussed: Great Britain, Canada, the United States and the Antipodes. A series of lectures and discussions supplemented by records, tapes, and field recordings. Delineation of characteristic motifs in folk music. Various folk instruments will be used by the lecturer throughout the course: guitar, auto harp, hammer dulcimer, appalachian dulcimer, and five string banjo.
Listed without a description.
Listed without a description.
The study of music from pre-Christian times to approximately 1600.
Prereq: Music 150G/151G
A study of representative musical compositions of the twentieth century and their relationship to social, literary and political movements.
Prereq: Music 150G/151G or consent of instructor
Listed without a description.
Astudy of the music, and the philosophies of music of the Christian church from the beginning to the present. singing and/or listening to the music will be an integral part of the course.
Prereq: Music 150G/151G or consent of instructor
Continuation of Music 360G.
Prereq: Music 360G or consent of instructor
Listed without a description.
See Music 166G for course description.
Prereq: Music 366G and consent of Music Faculty