FINE 270Film Theory 1 (Anatomy of Film)
- Faculty
- Arts
- Last listed
- 1971–72
No longer offered. It’s in Waterloo’s scanned calendars from 1970–71 to 1971–72 (before that, 1969–70 used the number for Film Theory This course in film theory will give students basic knowledge of the); the 1995–96 to 2023–24 calendars are on ucalendar.
A development of ideas gained in Fine Arts 140* and 141*, Provided with the basic historical knowledge, the student will analyse the aesthetic aspects of a cinematographic work (principles known as “film language”). Milestones of the history of film will be discussed from this point of view, and the principles of directing, shooting, and editing film will be discussed. Screenings of film will accompany the course. Prerequisites: Fine Arts 140*-141* or Fine Arts 130*-131 or permission. Fall term.
As printed in the 1970–71 to 1971–72 calendars, read by OCR; the scanned page is the original.
Check it elsewhere
In the scanned calendars
How it read in each calendar from 1969–70 to 1971–72, newest first. The text is OCR of the scanned pages; years whose wording matches are shown once, from the clearest scan. Each year links to its page on uwloo and to that page of the scanned PDF.
1970–71 to 1971–72 2 calendars
A development of ideas gained in Fine Arts 140* and 141*, Provided with the basic historical knowledge, the student will analyse the aesthetic aspects of a cinematographic work (principles known as “film language”). Milestones of the history of film will be discussed from this point of view, and the principles of directing, shooting, and editing film will be discussed. Screenings of film will accompany the course. Prerequisites: Fine Arts 140*-141* or Fine Arts 130*-131 or permission. Fall term.
1969–70 1 calendar
Another title: Film Theory This course in film theory will give students basic knowledge of the, probably a different course under the same number (or a misread scan).
102*G Introduction to the Fine Arts
150*G Introduction to Music I
151*G Introduction to Music 2.
250*G The History of Music I
251*G The History of Music I1
300*G Stratford Festival Seminar
301*G Continuation of Fine Arts 300*G
350*G Bach to Beethoven
351*G Music of the Romantic Period (1800 to 1900)
principles of film language so that they may make an aesthetic judgement of a cinematic work.
The following courses are administered by Conrad Grebel College.
An integrated study of works of art and musical compositions, and their relationship to the time period in which they were created. The emphasis is on actual experiences of the arts. No Prerequisites.
Examination, by means of listening and anlysis, of various styles of music ranging from early Christian Chant to electronic and computer music. Compositions to be studied include major forms such as sonata, symphony, opera, mass, etc., as well as smaller forms such as lieder. Special emphasis will be placed upon reasons for stylistic changes.
Same as above. Prerequisite 150*G or consent of the instructor.
From its earliest beginnings to 1750. Will not be offered 1969-70.
From 1750 to the present. Will not be offered 1969-70.
An interdisciplinary course intended for students interested in English, Music, Drama and Speech. The focus of the seminar is centred in the dramatic and musical productions at Stratford Festival theatres plus performances at the Shaw Festival Theatre at Niagara-on-the Lake and selected productions at Toronto and London, Ontario.
Offered Summer Only Prerequisite: An introductory course in Music, Drama, or Speech, or consent of instructor.
The development of cantata, oratorio, mass and opera, concerto and symphony in the cgmpositions of Bach, Haydn, Mozart, and Beethoven.
A study of the compositions of Wagner, Chopin, Schumann, Schubert, Wolf, and others. Particular attention is placed on the affinity between music and literature.